When I stepped into Jim Isermann’s spectacular show “Wrapture” presented by the Miles McEnery Gallery and the Pacific Design Center, my first thought was, “It’s 1967 again,” — and I don’t mean in a self-conscious, retro-chic way. Isermann’s super-saturated bright...
“Before You Now” features work by 56 artists who employ photography, prints, drawings, installations and video to depict themselves, their identities and, especially, their artistic perspectives. Rather than creating traditional self-portraits, these symbolic,...
With unruffled confidence, Paige Jiyoung Moon’s, “Gen 3” reveals small-scale acrylic paintings depicting informal rituals from her daily life with a profusion of care. Most of the time memories get packed away, but in this case, Moon’s style of painting makes the...
Karla Diaz has been drawing since she was a child. The title of her current exhibition, “Wait 'til Your Mother Gets Home,” is something her aunt would say to her when she would draw on the walls of the family home. Consisting of 37 paintings and works on paper that,...
What is a colorist painter? In the 19th century, the painter and critic Eugène Fromentin assessed that the work of colorist artists engage hues that are “rare, tender, or powerful, but resolutely [achieved by] a man skillful in feeling distinctions, or in rendering...
Intertwining tradition, identity and memory, Jordan Nassar’s exhibition, “Surge,” turns large-scale Levantine embroidery and mosaics into sites of tactile continuity, connection and solace. These works serve as a means through which to understand his transnational...
Suzan Woodruff’s new body of ethereal, abstract paintings and undulating wall sculptures came at a price—one as much physical as psychological. Diagnosed with virulent cancer amid a national pandemic, she endured multiple surgeries and radiological treatments, which...
At Night Gallery’s newly debuted kunsthalle-inspired space, Sidecar, "What Will You Give?" features numerous large-scale paintings by up-and-coming artists Tidawhitney Lek and Veronica Fernandez. Lek and Fernandez present pieces of work that showcase both the...
“Groove,” an exhibition of approximately 100 intaglio prints currently on view at the Hammer Museum, has something for everyone, and a bit of everything (save for works in other media), but it will appeal most to those with an unrestricted appetite for aesthetic...
There’s no trick of the moonlight at Rhea Dillon’s show, “Gestural Poetics.” Inside and out, each work happens twice. Dillon’s drawings, nestled in sapele mahogany boxes within the white cube gallery, enact two histories at once. While the moniker "sapele" hails from...
In the arresting painting On Your Side (2024), a person and their cat canoodle in twinned profiles that make it seem like they share an eye—and that’s not even the strangest thing about it. The main figure, shirtless and with glowing minty-pistachio skin, has glossy,...
For his untitled exhibition at Gaylord Apartments, Brad Kronz created what looked like a kind of deinstallation—the last few items left in an apartment before moving out, things you don’t know whether to leave or to stack on top of an already packed car: an auxiliary...
“Self is source. Self is pure positive energy. Self is worthy. Self is full of vitality. Self is healthy. Self is eager about life. Self is amazing.” One might imagine this incantation spoken in a low, meditative tone, as though by uttering the words with enough...
As a Korean-born queer person who was adopted at nine months by a conservative white Christian family in the Tennessee Bible Belt, Se Oh struggled for years with the trauma of rejection, including from their adoptive parents who believed that homosexuals don’t make it...
Zizipho Poswa’s monumental ceramic and bronze sculptures hold court like an enclave of demigods. While not figurative per se, they are anthropomorphic in the way all ceramic vessels are: All are additionally crowned with towering, ornate objects that radiate...
Long before it was called out as a public nuisance, the phenomenon of manspreading was exhaustively, perhaps definitively, documented by the German feminist artist Marianne Wex (1937–2020) in a wide-ranging collection of images titled “Let’s Take Back Our Space”...
Don’t be fooled by the name: The Pit in Atwater Village is a snake-free, gleaming, new 13,000 square-foot space, zippy with colorful work. After the first two galleries, there was a huge room devoted to “Cognitive Surge: Coach Stage,” a striking, memorable show of...
An escapist, fantasizing indulgence reverberated throughout Marc Camille Chaimowicz’s solo exhibition “Emma Dreaming of California.” Just as Gustave Flaubert’s Madame Bovary—from which Chaimowicz extracted his protagonist, recontextualizing Emma Bovary within...
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