Sometimes “outsider” artists are really not that far outside, though they may indeed be “far out” in content and imagination. Deveron Richard, whose first exhibition at The Good Luck Gallery in Chinatown, is far out in its glorious exploration into the fantastical...
The sculptural objects and installations of “Other Relevant Experience,” with their ceremonial shine and talismanic power, exhume dark histories of conquest and ruin while conjuring notions of magic, sacrifice and salvation. Karen Lofgren’s command of materials and...
In the tradition of the famous and innovative Light and Space artists working in Los Angeles in the 1960s, Carrie Seid fashions beautiful sculptural works that, like her predecessors, celebrate light in all its luminous vicissitudes. For Seid, optics can be an...
Polly Apfelbaum and Dona Nelson's collaboration yields surprising relationships among artworks, viewers, and surrounding architecture.Each artist's celebrated inventiveness is amply represented. Collaged from dyed velvet, Apfelbaum's Blue Joni (2016) and Brown Sugar...
Robert Frank's timeless photographs capture the quintessential human experience, specifically living and working in the city and street culture. This exhibition sponsored by UCLA's Art History Department, gives us a deeper, more profound understanding of Frank's...
Marie Bovo’s formally complex, visually gratifying and meditative photographs invite prolonged looking. What is captured in the viewfinder and the subsequent print is a mere ghost of her true subject, and this mediation or distance interposed between photographer and...
If walking into the crypt-like rotunda of Soka University’s Founders Hall is a bit chilling, entering the world of Natasha and Anushe Shoro is a return to nature. Within the glistening, well-lit space of the Founders Hall Art Gallery, this mother-daughter exhibition...
Western Project, formerly a brick-and-mortar gallery in Culver City, now puts on pop-up shows in and around Los Angeles. Their most recent migrated to Jaus Gallery, and the results are a grouping of playful, colorful abstractions that aim to please. Beverly Fishman's...
Jesse Mockrin’s recent collection of works are an exercise in aesthetics. Reminiscent of old-master painting techniques (also familiar turf to painter John Currin), the figurative works display Mockrin’s technical skill with soft edges of fingertips and whimsical...
A surreal dreamscape exists inside Ariana Papademetropoulos’ mind. In the current paradoxical time of digital vintage filters on technological apps, Papademetropoulos’ work is a picturesque merger of past and present, with large-scale colorful oil paintings created...
Lester Monzon's second solo exhibition with Mark Moore Gallery is titled "SI VIS PACEM PARA BELLUM," which translates to "If you want peace, prepare for war," and reads as an enigma wrapped within an enigma as these loosely rendered gestural works are also...
When art is construed to be some thing that translates the tension between its physical and visual manifestation and the more complex thinking and barely articulable feeling-processes of the artist, then the sculptural work of Rebecca Ripple should be described as...
Photo-sculptor Jeremy Kidd stares down the clash of the natural with the aerodynamic lines of technology in his bracing installation at the Museum of Art and History at Lancaster. Kidd’s “The Interrupted Landscape” is one of several solo exhibitions currently at MOAH...
In 1985, an anonymous group of women artists interested in exposing gender inequality in the art world formed the Guerrilla Girls, a collective whose members wore guerrilla masks to art events, gave lectures and created posters, ads and stickers to publicize their...
Stephanie Pryor's work continues to evolve and resonate in both the abstract and narrative realm. This most recent suite of paintings are exquisitely lush and suggest more complex narrative relationships as in “Crow Jane,” where a series of small crow heads punctuate...
The aggressively mimetic realism that crowds this exhibition, curated by one of the gallery’s artists, is exceedingly white. Nearly every work is completed on white paper and color is employed by only four of the fourteen artists included. This makes the exhibition...
In Channing Hansen's solo gallery debut, which consists of nine large knitted works and one salon-style grid of smaller pieces, traditional stretcher bars are visible behind the gauzy woven materials. For these undeniably engaging works, Hansen acquires, dyes, and...
Evan Trine's digitally generated photographic works are distillations—works that abstractly reference their sources. Trine sifts through trending online news feeds, reducing or compressing into a single element the images and headlines he finds. The colored grids and...
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