Belief – whether you call it religion, spirituality, or anything else – is as vital to our lives as shelter or sustenance. Myth-making is how lessons are passed down, how mysteries are explored, and how home is remembered. These...

Belief – whether you call it religion, spirituality, or anything else – is as vital to our lives as shelter or sustenance. Myth-making is how lessons are passed down, how mysteries are explored, and how home is remembered. These...
Stanley Whitney’s first major solo exhibition in Los Angeles, "How Black is That Blue," reads like poetry. Utilizing his consistent style of painting “top to bottom,” Whitney’s colorful square works reveal several paintings within each piece. Favoring the...
Ochi Projects’ current exhibition, “an exit from this room and others like it,” features the latest painting and ceramic work of artist Hana Ward. In this show (all works 2021) both objects and paintings reflect on themes of time and isolation; feelings we are all too...
Katya Grokhovsky is an artist and curator who explores the expectations of the American dream and the lived experiences of immigration to the US. Originally from Ukraine, Grokhovsky founded The Immigrant Artist Biennial, which launched last year despite many...
Our city’s beauty is often overlooked. This is a subject I’ve touched on in the past, and it’s an unfair generalization that Los Angeles is an “ugly” city. Maybe it’s because our city is difficult to walk through, and so you don’t notice the beauty. Maybe it’s only...
Ishi Glinsky’s exhibition explores monuments of survival that honor the sacred practices of his tribe, the Tohono O’odham Nation, native to the Sonoran Desert in Arizona. Upon entering Chris Sharp Gallery I am instantly subsumed by Glinsky’s monolithically scaled...
Izzy Barber’s exhibition, “Maspeth Moon,” at James Fuentes brings together new plein air paintings that capture daily life in New York. Petite in size (the smallest 4” x 4” and others around 10” x 9”) Barber’s paintings are snapshots of quiet scenes that are at once...
The Impressionists, at the end of the 19th century, turned away from traditional muses and academies and became chroniclers of their contemporary era. They were described as flaneurs, self-styled spectators of modern life and people in leisure. But throughout their...
In a year when art sales floundered and galleries around the world quietly scaled back their operations, the announcement from New York’s The Hole, that they were celebrating their 10th anniversary by opening a second gallery, felt like a collective sign of hope. To...
“Dude, Unmute Yourself” is a sprawling group exhibition of Shockboxx Gallery regulars that the pandemic-smart title reflects the need, particularly in these times, to speak out through art. A few highlights are in the backroom where Randi Matushevitz offers two...
There’s no such thing as an alright abstract painting. They fall, without exception, into two categories: great and garbage. And for whoever’s looked at an abstract artwork, smugly harrumphed and muttered, “I could do that,” I’d...
How we balance our individual experiences within the larger scope of our lives in many ways determines who we are, and how we understand and relate to the world around us. Reflecting on the dense and often traumatic events of the past year, which included a global...
For the 9th edition of the Artes Mundi Prize, an international panel of jurors —made up of Cosmin Costinas (Executive Director and Curator of Para Site, Hong Kong), Elvira Dyangani Ose (Director at The Showroom, London) and Rachel Kent (Chief Curator at MCA,...
Everyone has a fascination with the more macabre parts of life. Not that everyone is John Waters, but there’s a reason we all slow down to look when we pass an accident. It’s just human nature to be transfixed by the dark and the deadly, to find it not only shocking...
It’s Vanessa Prager versus art history in this confounding and enchanting suite of oil on panel paintings, and her aggressive Impressionism-infused impasto is a knockout. Taking on the foundational figurative tropes of nude, still life, and landscape but proceeding...
As the planet enters the beginning of a post-pandemic, post-Trump administration era, it was wonderful to be baptized in optimism from Evita Tezeno’s exhibition, “Better Days” at the Luis De Jesus Los Angeles gallery. One sweeping taste of these works results in a...
With spring just ahead, we are on the precipice of a momentous transition. Rays of hope are beginning to warm the cold landscape of our world, as they have again and again throughout humanity's existence. Caitlin Keogh explores this cyclical nature of history (and our...
A man sits center frame, drowned within an interior sea of red hues, arms spread as he pensively gazes against our direction into the distance of the frame. A woman laughs cross-legged on a stool, mouth wide open as if paused mid-speech or laughter, as a grinning fox...
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