The title of Farley Aguilar’s exhibition “Phantom Limb” refers to the corporeal sensation of a limb that has been severed from the body–memories scratch and ache, haunted by the historical traumas of slavery that manifest in transgenerational pain and psychic...
Having opened after an entire year’s delay even as the COVID-19 pandemic entered its third year, the fifth iteration of MoMA PS1’s signature major survey of art in New York City, titled "Greater New York 2021," finds the curatorial team of in-house Curator Ruba Katrib...
Consider the rhythm of poetry, the speaking voice and the eye moving across the page, the mathematics of strict iambic and hendecasyllabic verse pressed into the service of unruly love and nature. The pace and structure of power of three is eternal, the optical...
A series of precious objects rendered in oil paint requires your intimate proximity. Tiny tactile paintings of levitating furs, beaded coin purses, costume jewelry and sequin fabrics depict trompe-l'oeil images of feminine objects commonly associated with glam,...
Southern trees bear a strange fruit. Billie Holiday's iconic song “Strange Fruit” serves as a haunting metaphor for racial violence, evoking the historical and ongoing pain of Black Americans. The song was originally written by Abel Meeropol in 1937 in the form of an...
Comprising seven different exhibitions, “Activation” is an exciting series of works from six individual artists as well as a selection of activist graphics. Featured artists and their exhibitions include Mark Steven Greenfield, April Bey, Carla Jay Harris, Keith...
Hidden amid the bustle of the Bowery, one of New York’s most chaotic streets, is Geary Contemporary, a gem of a gallery that has been quietly making a name for itself with engaging exhibitions of emerging artists. In its latest show, Red Velvet, Orange Crush, Geary...
Sky-rocketing gasoline prices accompanied by worries of war in Ukraine even as the planet attempts to turn the pandemic corner is more than enough to hold happiness hostage. However, Sonya Fe’s exhibition “Are You with Me?” at the Riverside Art Museum recaptures the...
A series of curious doors assembled in neat parallel lines resemble haunted monuments or an uncanny labyrinth of portals to seemingly familiar spaces. Fiona Connor’s solo exhibition, "My muse is my memory, an archive of Closed Down Clubs" is an ongoing series that...
Nancy Youdelman’s Button Dress from 1972 hangs in the window of a nondescript gallery on Fountain Avenue. The garment represents early feminist strategies that confronted and subverted domestic roles and “feminine” mediums traditionally prescribed to women and labeled...
LA-based painter Tidawhitney Lek’s first solo show “House Hold” at Sow & Tailor comprises 10 paintings and two sculptures, examining the personal dichotomies experienced by living in contemporary LA while concurrently being “held” by familial trauma—particularly,...
“Laurie Anderson: The Weather” at the Hirshhorn Museum and Sculpture Garden is the largest US exhibition of Anderson’s work to date. At 74, Anderson continues to be immensely creative as multimedia artist, performer, musician and writer—the show includes more than a...
The landmark exhibition “No Humans Involved” was remarkably compact, filling a single gallery at the Hammer with installations by only seven artists. Its impact, however, was seismic and sustained. Its title alone was enough to take viewers aback—and that was part of...
After remaining indoors for over a year, it’s refreshing to be confronted with the idea of the natural passage of time in the outside world—how life consciously accumulates and mutates, even when we aren’t there to watch it happen. Mary Brøgger’s retrospective...
Towering more than six-feet high, three large glazed ceramic totems confront viewers who enter the gallery space. These works—Fakir’s Foot, Philosof’s Foot and Fantomas’ Foot, (all 2021–22)—by Brussels-based sculptor Eric Croes, function as the introduction to his...
This thoughtful, surprising, eclectic yet focused group bridges the gap between an elevated gallery presentation and the untamed wilds of the cryptoart space. “Elsewhere is a Negative Mirror” is organized around the theme of architecture. Displayed on high-res...
Thresholds—with their curious balancing act between two places, spaces or states—have always exercised a tremendous pull upon human imagination. It is, without even working at it, a naturally apt analogy for multiple types of transformation. The number of commonly...
Noelia Towers’ new collection of works, “Opening an Umbrella Indoors” (all works 2021), presents a world of dichotomies: pleasure/pain, soft/hard, natural/synthetic, obscured/vulnerable. The collection of paintings is consistent in its motifs of both overt and covert...
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