Long-fascinated formally by shape, chromatic modulation, and their definition of a place and its contours, Mary Weatherford’s work has evolved into an abstract geography of incident—a geography that continues to become more expansive in every sense. The title of her...
When one enters the massive gallery at California African American Museum occupied by “Sanford Biggers: Codeswitch,” it’s easy to be seduced by the cacophony of bold color, textures and geometric patterns. Power symbols appear and disappear like a nickelodeon on...
In his new collection of powerful figurative images and mysterious abstract photographs, Brendan Lott proves he is both “Looking In and Looking Out.” The exhibition is curated across two rooms at Walter Maciel, allowing viewers to move between intriguing and intimate...
It has been a while since David Rubin ended his long and distinguished career as an institutional curator, but he continues to write and curate—and continues to produce art as well. Rubin had put aside his youthful artmaking once his curatorial direction took over,...
Curated by former MOCA LA Chief Curator Helen Molesworth, “Ruth Asawa: All is Possible” at David Zwirner, New York expands our understanding of this remarkable artist by presenting a selection of lesser-known pieces together with her iconic sculptures. Asawa’s...
As the room unfolds before a viewer’s eyes there is a veritable procession of numbers going from one to nine through all the gyrations of being outlined, filled in or partially obscured. It is as though the sequence of this set of well-known forms is taken...
Walking into Vielmetter Los Angeles’ sunlit loft, it’s easy at first glance to overlook the series of flower paintings inside as traditional floral still lifes. But the stark white backgrounds, untraditional choice of medium, and emotive compositions belie Hugo...
Born in 1935 and raised by sharecroppers during an era when rural Alabama was segregated, Simmie Knox persevered by making history in 2004 as the first Black artist to have his work selected for the official Whitehouse portrait collection—his rendition of former...
Although photography-based collages by Joe Rudko are aggressively analog as objects, they reference the inherent pixelated optics of the digital world. Each unique piece is physically made of thousands of randomly accumulated, painstakingly spliced and intuitively...
In our post-truth age, where it’s easy to assume any image has been digitally manipulated, photographer Wolfgang Tillmans’ stands out from the pack for his striking candidness. In his eighth solo exhibition at Regen Projects, the German artist presents a diverse array...
After visiting five major art fairs and too many events and special exhibitions to keep track of, it’s safe to say this was an eventful and surprisingly normal Miami Art Week. Like in previous years, the week provided a venue to reconnect with friends and colleagues,...
Betzi Stein celebrates nothing short of love in her solo exhibition now at TAG Gallery, “Art World Friends and Strangers.” Creating brilliantly colorful figurative representations of members of the Los Angeles art community, Stein offers everything from a glowing...
Since moving out of my hometown, I have amassed a small trove of Polaroid photos documenting the clutter in all my living spaces. I’d always liked the idea of keeping pocket-sized time capsules of the things I used to own and person I used to be in those places....
Football is considered the greatest American pastime by many of its fans. It is played in intense heat, rain or snow, with diehard followers who prioritize the game above many aspects of normal life. In his exhibition Fumbly Punts, Rob Thom humorously critiques...
Few grasp the power of language to be visually enthralling while expanding our consciousnesses as well as Lindsay August-Salazar, whose solo show at Lowell Ryan Projects, “There’s No Place Like No Place” brings these questions to the forefront. Employing vibrant color...
Various sizes of square panels mostly covered with dots with groups of parallel lines and occasional fields of paint line the gallery walls of Locks Gallery in Jennifer Bartlett's installation "Recitative"—its title derived from a rhythmic free form vocal style of...
“As the World Turns” is an apt title for Leigh Salgado’s fourth solo exhibition at Launch Gallery. Many of the graceful works are circular, globe-like. A lush world of beauty that also evokes ideas of the circular nature of life: our annual passage around the sun, and...
My first review for Artillery Magazine – almost two years ago now – was for my favorite museum in southern California, The Norton Simon. I recently went back and reread that article, and I found that my own writing was, to be kind, academic. Dry as a bone, really....
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