In the 1950s-60s, Jasper Johns created two works – Flag (1954-55) and Target (1961) – which both carved his place in the art historical canon and established a new conceptual framework for art. These encaustic versions of instantly recognizable icons (an American Flag...
Pick of the Week: Doug Aitken
GALLERY ROUNDS: Robert Russell Anat Ebgi
A Google search for teacup reveals delicate fluted cups and saucers, many decorated with floral patterns. The association is afternoon tea in England, a formal spread with snacks and fine china. The sources for Robert Russell's "Teacups" paintings are random...
Pick of the Week: Ludovica Gioscia Baert Gallery
The artistic process is often private. Artists seldom actively show the steps taken to craft an end product, but to some, like Ludovica Gioscia, revealing all is vital to their work. In a large, multi-faceted installation at Baert Gallery entitled Arturo and The...
Pick of the Week: Jeffrey Gibson Roberts Projects
I am certainly not alone in feeling that their idea of the American identity has changed drastically in recent years. The “American Dream” has proved itself to be as fanciful as the name suggests. It simply never existed for the majority of Americans. Even the...
Gallery Rounds: Philip Guston Hauser & Wirth
If gazing upon the figurative paintings of Philip Guston is akin to a religious experience, then the exhibition "Transformation" at Hauser & Wirth represents a cornucopia of blessings. Spanning from the early sixties into the late 1970s, the show offers an...
Timo Fahler @ Maple St. Construct
“Precarious as obtained by entreaty or prayer,” Timo Fahler’s solo exhibition at Maple St. Construct, features 27 iterations of The Inspiration of Saint Matthew (1602), a painting by the canonical artist Caravaggio. After visiting Rome and viewing the painting in...
Pick of the Week: Tiffanie Delune & Kaye Freeman Band of Vices
It is no stretch to say that the COVID-19 pandemic – principal among several other tragedies, injustices, and horrors over the past year – has fundamentally altered the way we see our world. It has revealed inequities more sharply than any other time in recent memory,...
Gallery Rounds: Stephen Aldahl Le Maximum
Stephen Aldahl’s current solo exhibition, "Cool Intentions," is as pictorially generous as it is emotionally taciturn. His paintings, layered compositions using photo transfer, decals, text, and collage, do equal amounts to reveal as they do to hide. Engaging in a...
Pick of the Week: Andy Moses William Turner Gallery
Nature has been the font from which many artists have taken their inspirational sacrament. And it is a pleasure to see an artist who takes that inspiration and so masterfully manifests the power and majesty of our natural world into something entirely new, which is...
Gallery Rounds: Skin Deep: Then and Now The Loft at Liz's
"Skin Deep: Then and Now" at The Loft at Liz's offers a vital visual conversation about race in America. The powerful subject brings together the same eight artists who comprised an original exhibition ten years ago, with pieces still available from the initial...
Gallery Rounds: Jim Adams Luis De Jesus Los Angeles
“Eternal Witness” is a show emblematic of the endless pertinence of history. Adams maintains that history is just as relevant today as it ever was when it was happening. The scenarios may change but he pursues the notion that the ideas driving humanity, for instance,...
Gallery Rounds: The Shape of Life Wonzimer
Curated by Gary Brewer and on exhibit both online and IRL at Wonzimer Gallery in DTLA, "The Shape of Life," is a dazzlingly lovely show. The nine-artist exhibition includes works by Brewer, Tim Hawkinson, Aline Mare, Cheyann Washington, Jeff Colson, Mercedes Dorame,...
Pick of the Week: Hosai Matsubayashi & Trevor Shimizu Nonaka-Hill
There is a natural tension drawn between old and new, conservative and progressive. Often times, it can feel that between those two positions there can be no resolution. Even in art, it can be difficult to fit the opposing ideals together; though when it happens, the...
Gallery Rounds: Brie Ruais
Brie Ruais' stunning ceramic sculptures have a visceral quality. Though created in her Brooklyn studio, they stem from private, site-specific performances in the desert where the naked Ruais uses her entire body to shape clay into large geometric formations that meld...
Made in L.A. 2020: a version
Curatorial work began on the fifth biennial in the “Made in L.A.” series long before March 2020, and it might be March 2021 before audiences can see it in its entirety. Yet so emphatic is the exhibition’s insistence on the physical embodiment of ideas, the political...
Kader Attia Regen Projects
Kader Attia’s debut with Regen Projects —a selection of previously exhibited and new works—continues the French-Algerian artist’s critique of modernity as embodied by Western capitalism and the mechanisms and ideologies of colonialism. Attia has frequently examined...
Rodney McMillian Vielmetter Los Angeles
This exhibition is simply horrible: a catalog of horrors, a parade of barbarism made all the more wretched because we have become inured to atrocity, our attention spans irredeemably vaporous. It is both commonplace and theatrical, a fleetingly addictive...
Rachel Rosenthal Roberts Projects
While Rachel Rosenthal is best known for her performance work, the collage works on display in “Thanks: Collage Works from the 1970s,” with their aged surfaces and intersecting themes, reveal an artist whose force of sentiment is firmly grounded and luxuriously...