“Working Together: Louis Draper and the Kamoigne Workshop” is a photography exhibition on view at the Getty Museum that chronicles the history of an extraordinary partnership of Black photographers. Founded in 1972 by Louis Draper, the Kamoigne Workshop was a...
This edition of Pope.L’s thinning theatrics presents a series of immaculate white shacks, their size of a two-holer, containing a carpeted bench, where viewers may test the limitations of their endurance. An unsuspecting and luckless couple may sit together in one of...
In 2011, Melanie Willhide experienced the theft of her computer and back-up drives. Once these items were recovered, she discovered her files had been corrupted. Rather than abort the project she was working on, she embraced the glitches now embedded in her images and...
In his current exhibition, the artist’s fifth at this gallery, Adam Parker Smith employs classical sculptural forms in a fresh new way, featuring six large sculptures, approximately 35-feet or one cubit diameter. Working in white Carrara marble on a stone pedestal,...
In his current show, “The Adult Light,” Sergej Jensen seems intent upon demonstrating his capacity for conventional, gestural painting (and for that matter, chromatics), as well as the subtle auto-constructions of stitched and collaged fabrics and pigments he is...
Since 1985, Theodore Svenningsen has been working sporadically on “Primitive Structures,” an ongoing series of paintings, mostly black and white, that are seductive at surface level, yet purposefully unsettling upon closer inspection. When viewing the 12 works from...
The elusive relationship of the brain and the mind has always fascinated without ever quite being resolvable. It is as though we collectively hold the convoluted gray mass that constitutes the brain in suspension with respect to its relationship to the entity whose...
“Alternate Realities” at the Norton Simon Museum presents the work of four California painters from the mid-20th century: John Altoon, Richard Diebenkorn, Frank Lobdell and Emerson Woelffer. These artists formed part of the California version of Abstract...
Works on paper by Russell Crotty are a mix of travel journals, celestial cartography, landscape sketches, stream of consciousness narration, auric cross-hatched impressionism, and sculptural installation. Their palette is that of desert and the night; their imagery of...
Artist, feminist, environmentalist—these themes elegantly converge in her exhibition “Bound Angel” which examines, with perverse pleasure, the darker cultural implications of mass production, the fight for gender equality, and the mounting ecological crisis....
The ornate paintings depicted in Robert Ginder’s first solo show at Craig Krull Gallery induce nostalgia, especially for those Angelenos. Palm trees, long-standing businesses, bungalow-style homes, and points of attractions rise from their gold leaf-encrusted wooden...
I’ve always enjoyed the playful and uninhibited spirit of summer group shows, unbridled by the circuits and agendas of the art market. Chirs Sharp’s exhibition, “A Minor Constellation”, perfectly exemplifies this kind of delightful candidness. The show features a...
Co-curated by Liz Gordon (of Loft at Liz's) and Monique Birault, the 15th iteration of Gordon’s ecologically driven “Diverted Destruction" is both exciting, and more visually spare than past exhibitions. Rather than filling the main gallery space with smaller pieces...
Artists Casey Kauffmann and John de Leon Martin have created a super-collage at Human Resources, Los Angeles. A messy collision of screens, drawings and passionfruit vines engulf the gallery space with the intention to bamboozle. The duet’s maximalist installation...
Cornelia Parker's landmark retrospective at Tate Britain journeys through her multimedia work to narrate a country willingly stuck in small-island-energy. Parker (b.1956) examines objects by considering how they change when their associated value is disrupted,...
Russian exile Lev Rukhin creates grand works of realism tinged with just enough peculiarity to suggest doubt. They are dreamlike—much of the imagery is suspended in a nimbus—and implies both memory and trickery. This device is quite intentional; the exhibition is...
The first iteration of Documenta, curated by Arnold Bode, took place in 1955. Since then, every five years for 100 days, Documenta occupies the city of Kassel, Germany. More often than not, it is an international showcase of current trends and ideas in contemporary...
The City of Namara is a fictitious place created by Robert G. Achtel. In the photographs that define this curious and digitally fabricated location, Achtel presents Namara as a place devoid of people and filled with modernist architecture. Each building is shot...
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