Like his multifaceted painting, drawing and storytelling universe, Trenton Doyle Hancock is many things—but he’s no vegan. The autobiographical, fantastical, art historical, comic-book world of his invention — the Moundverse — is inhabited by a variety of characters...
Although raised in a strict Southern Baptist home, Sharon Ellis mistrusts organized religion. Rather than participate in church observances, she expresses her spiritual self by painting visionary psychedelic landscapes, a now common genre that she helped legitimize in...
Chucking traditional curatorial norms out the window, Wolfgang Tillmans presents a show like it’s a site-specific installation, clustering images together—some wondrous, others just plain blah—hanging framed photographs alongside unframed prints, with the occasional...
Diego Rivera’s artistic oeuvre is so connected to our collective unconscious that touring this exhibition of 150 paintings, frescoes and drawings, feels like a homecoming. The show also includes film projections of murals that the artist created in Mexico and the US...
Water flows ceaselessly through the arteries of Robert Gober's solitary faucet, as if it were a trickling monument to the Sisyphean impossibility of cleanliness. Originally made in response to the AIDS crisis, Gober's handcrafted sink is recontextualized in the age of...
The Norton Simon Museum exhibition opening on October 20 featured just two paintings: Jean-Auguste-Dominque Ingres’ Madame Moitessier (1856) and Pablo Picasso’s Woman with a Book (1932). The latter is a response to the former and, though made seventy-six years apart,...
The Los Angeles-based painter Rebecca Morris is an obsessive abstractionist. The grid serves as her compositional playground where shapes and colors frolic and meander. The 21-year survey exhibition "Rebecca Morris: 2001-2022," at the Institute of Contemporary Art...
The spirograph galaxy of Rhythmic Inquisitions, an exhibition of works by June Edmonds at the Riverside Art Museum, unmercifully hypnotizes. Expanding boundaries, this 2022 Guggenheim Fellowship Recipient injects Aretha Franklin’s Respect (1967) into Abstract...
Abe Odedina’s “You Give Me Fever” embodies the spirit of a universal human emotion: desire. In his Los Angeles solo debut on view at Diane Rosenstein Gallery, the architect-turned-painter considers desire with a kaleidoscopic gaze, depicting deep-seated longings for...
Just across the Ohio River from downtown Cincinnati is The Carnegie, a former library in Covington, Kentucky constructed in 1904 one of over 2,500 worldwide funded by Andrew Carnegie. Now a theater and exhibition space, the center serves the local and surrounding...
Prunella Clough's paintings glitch, sneeze, and itch in states of spaghettification. Observational renderings culled from the everyday–seemingly subtle yet tidal and awkwardly beautiful–Clough discombobulates the gravitational fields that tether shapes and colors to...
Despite being mired in digital culture, the Bonn based artist Arno Beck makes analogue works. In his exhibition "Zen Them to Hell", he presents typewritten landscape drawings. Each of the eighteen identically sized and shaped, framed works on paper juxtapose...
There is something sugary about Sharon Ellis’ new psychedelic paintings that are reminiscent of my favorite childhood board game, Candy Land, nostalgic of gingerbread plum trees, the peppermint stick forest, Queen Frostine and Princess Lolly. Ellis’ paintings also...
Mary Kelly‘s show "Corpus" at Vielmetter Gallery includes thirty framed pieces which alternate between image in one frame and text in another. The name of the show, "Corpus," refers to the work being a collection of writings, yet has a double meaning built in as the...
It’s one thing to engage in a discourse about the influence of art historical movements on contemporary painters, and another still to analyze a particular artist’s specific set of influences, such as Nicole Eisenman’s robust relationship with the European...
Vessels are containers–spaces for bodies of volume to dwell, to fill up–shaped by what they have held and what they long to hold. In Anina Major’s solo exhibition “Inheritance” at Shoshana Wayne Gallery, fragmented baskets molded from clay operate as metaphorical...
Two works by Shirley Tse, originally exhibited indoors, are remixed under the spell of wild elements in The Magic Hour's current iteration time going backward and forward. Founded in 2018 in Twentynine Palms, California by Alice Wang and Ben Tong, The Magic Hour has...
At the wall in the back of the space rests an altar surrounded by oyster shells, pearls, pumpkin seeds, white candles on white cloth, white gloves, a brown fedora, a box of pralines, a Precious Moments angel. An audience member approaches and places a stem of white...
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