Nam June Paik, the “father of video art” and the man who coined the phrase “the electronic superhighway,” weaves humor, Buddhism, technology, music and sex. Paik was born in 1932 in Japanese-occupied Korea. Tutored in piano and composition, he attended college at the...
OUTSIDE LA: Nam June Paik
GALLERY ROUNDS: LACMA Review of Vera Lutter and "Acting Out"
For a museum that has torn down all of the buildings on its original campus, the Los Angeles County Museum of Art has been putting up some pretty interesting exhibitions in one of only two exhibition spaces that are left. The two photography exhibitions I’m thinking...
New York Art Fairs The Armory Show and Future Fair
This week, New York’s art scene is buzzing with events. With five major fairs and innumerable openings, the city is alight with a variety of options from the heavy hitting Armory Show to the relatively wallet-friendly Art on Paper Fair. I had the chance to preview the...
OUTSIDE LA: “I See You” Ania Hobson SETAREH X, Düsseldorf
Ania Hobson’s women often look like they don’t want to be in the spaces they find themselves in: ready to leave the party, staring at wine to avoid a conversation, planning an Irish goodbye. Her characters are dressed cool and distinct in their clothes, expressions...
Intergalactix: against isolation/ contra el aislamiento Los Angeles Contemporary Exhibitions
Step into “Intergalactix: against isolation/contra el aislamiento” at Los Angeles Contemporary Exhibitions (LACE) and the first thing you’ll see is a largish, flattish, squarish stone smack in the middle of a white-walled room decked with wicker beds of tenon...
HK Zamani PRJCTLA
Not front of house, with its symmetrically billeted art objects reflecting in its polished concrete floor, these rawboned works by HK Zamani are arrayed deep in the back, in a brick and concrete garage, its loading dock and ramp illumined by dangling warehouse...
Kandice Williams; JPW3 Night Gallery
“Eurydice,” Kandis Williams’ film and solo exhibition is a work that, once experienced, retains the power to alter one’s perceptions, a power that continues to linger. Both aesthetically graceful and experimental, the central part of the exhibition is a 20-minute,...
Kengo Kito Japan House
Through his glorious tangle of color and motion Kengo Kito has offered an oversized ravel of joy with Reconnecting (2021) a fascinating and immersive installation of hula-hoop spirals that fill the gallery and immerse the spectator. On view at Japan House in...
Leo Mock M+B Doheny
Leo Mock’s oil stick, oil and charcoal paintings are imaginative hybrids that distort the recognizable elements found in the natural landscape into something fantastic and surreal. Through six large-scale paintings, viewers are taken on a journey to an unknown world....
Rosy Keyser parrasch heijnen
From an ultramarine field, a glyph emerges. It is the shape of something, human or animal, and it appears to pirouette in the center of the canvas. Drawing closer reveals other marks scratched into the surface of the blue, or small fragments embedded in the field. One...
Nari Ward Jeffrey Deitch, Los Angeles
Installation—often understood as the act of locating, positioning and inserting—has, in Nari Ward’s exhibition at Jeffrey Deitch gallery in Los Angeles, intersected with the examination of founding American democratic principles. This combination of past works and...
Nick Dong USC Pacific Asia Museum
In his kinetic objects and interactive environments, Nick Dong combines the simple, fractal serenity of Buddhist design with the quirky warmth of Victorian curio cabinets, as well as a refined yet theatrical sense of surprise. Across a handful of discrete objects and...
Mario Giacomelli The Getty
The very model for a great photographer in the post-World War II era was Henri Cartier-Bresson, a cosmopolitan heir to a fortune who was a co-founder of the photographic cooperative Magnum and traveled the world taking photographs with his hand-held Leica camera. His...
Dozie Kanu’s “to prop and ignore” Manual Arts, Los Angeles
The sculptures in Dozie Kanu’s first solo exhibition in Los Angeles flirt with functionality but refuse to reveal a clear purpose. Instead, these stylish hybrids possess the elegance of aspirational interior design and the subtle menace of dystopian relics. Many of...
Pick of the Week: Dysmorphia Maddox Gallery
It’s hard to imagine another time in my life when the word “home” will carry so much weight. The past year has redefined it for all of us. Home has become more vital than ever, yet home is more unstable than ever. Home is where we were told to stay, but home has been...
GALLERY ROUNDS: Leticia Maldonado Bermudez Projects
Neon is a medium that has been used over time to beckon, and Leticia Maldonado’s work viewed through the large glass windows of Bermudez Projects in Cypress Park does exactly that. Maldonado’s “Autonoetic” is a collection of mixed media that blends delicately thin...
Pick of the Week: Andy Kolar Walter Maciel Gallery
Andy Kolar’s new show at Walter Maciel Gallery, “Head in the Clouds/Left Hanging,” is a play in three acts. Like any good play, and more so than most solo exhibitions, there is a vital rhythm and active plot – a cadence. And for good reason: Kolar’s exploration of...
OUTSIDE LA: Jennifer Packer "The Eye is Not Satisfied With Seeing" Serpentine South Gallery, London
We observe this unfolding in Packer’s paintings: intimate, cozy scenes of home life turn into majestic statements of Blackness, power, and vulnerability. There is something political about how dynamic these paintings are and how they challenge the conventions of portraiture painting. The paintings actively diverge from the authority and rigidness associated with classical portraiture.