During the early months of the pandemic, Judy Fiskin needed a new way of working in which she did not have to leave the security of her home. Fiskin happened upon a real estate website with interior images of houses for sale and...
Occasionally a gallery delivers a show of work that activates the intellect, rewards an afternoon of driving, and restores a little hope. In the small gallery at François Ghebaly are Patricia Iglesias Peco’s large works on paper. Flowers rendered in understated...
Lisa Solomon creates evocative watercolor self-portraits wearing the traditional attire of the countries that make up her ethnic heritage, as well as the traditional clothing of countries she’s had misidentified as a part of her cultural history. Perfect, precise and...
Alonzo Davis’ paintings are breathtaking in their materiality. Using saturated, refractive palettes, and woven paper and canvas to form a layered topography, the works assert their physicality as much, if not more than the imagery. Abstract—but with elements of...
Immersive and sensual, the richly floral images of Gary Brewer’s “Voluptuous Charm of the Monumental Image” is a kaleidoscope of color and form. These are works bursting with life, subtly O’Keefe-like—though still uniquely Brewer—evoking the mysteries of nature, the...
In the late winter of 2019, I became enamored with Joan Didion. I and my then partner were driving the backroads of Tennessee and North Carolina as a leg of a cross country move from Portland to Philadelphia. Somewhere along our trip I picked up a copy of South and...
In Laguna Art Museum’s 10 years of mounting its annual Art & Nature installations, a consistent theme has been the preservation of our planet. In this year’s version, the museum celebrates the beauty of nature while artfully addressing environmentalism and...
Forever enchanted by Francesca Woodman’s photographic realms, I trace her contorted, fluttering body in the passing shadows and opaque reflections of her self-portraits–I see a witch, a siren, a spirit, a saint, a veiled apparition. Woodman’s body is simultaneously...
The first word that comes to mind to describe "In Praise of Shadows" is ‘immense’. This may be what is expected from an artist’s thirty-year retrospective, but William Kentridge is not just any artist. The South African artist is prolific, and this show captures the...
For those already acquainted with Elaine Cameron-Weir’s practice, her recent exhibition “Exploded View / Dressing for Windows” at Hannah Hoffman Gallery feels familiarly sterile and sacred, mechanical and magical. Clusters of assemblage sculpture made of concrete,...
In her inaugural solo exhibition “All in Time” at Murmurs Gallery, sculptor and sound artist Maria Maea braids palm fronds, milkweed, rebar, chicken wire and—most importantly—radical community. One can hardly even call the show “solo,” although it deserves the same...
In the middle of the otherwise empty parking lot, a square of green grass houses a dark bronze tree trunk. The leafless branches expand out from the top of the trunk and amidst those branches another tree of a silvery color is nestled upside down. The cluster of...
To experience Tala Madani’s exhibition is to be submerged in a world that rejects our dualist minds and embraces the proximity of attraction to repulsion, cleanliness to filth. Upon entering the museum, viewers are greeted by a large-scale painting depicting a pair of...
Most folks mainly (or only) know Nancy Holt from Sun Tunnels—her 1973-76 land art installation laying large concrete pipes along a certain axis keyed to the seasonal solar arc, thus activating the rural place in which you stand, while igniting a soaring connection...
Lily Wong’s phantasmal figures traverse boundaries that blur celestial realms and built environments, painting a world that evokes fragmented feelings and cosmic confusion spurred by her personal quest for ancestral knowledge and identity. Bodies glow with an...
Luciana Abait’s survey exhibition “On the Verge” features twenty works of various mediums including painting, photography, sculpture, video installation and an augmented reality. Each work is a wondrous landscape both magical and tragic. The magic comes from the...
Luminous, pastel colors abound in new paintings from Lily Stockman’s solo show “The Tilting Chair” at Charles Moffett in New York. Overall minimalist in style, Stockman’s abstract works are full of circles, ovals and petals resembling the plants and flowers referenced...
There are no straight lines or perfect circles in Physics, there are only currents, vortexes, distorted electromagnetic fields, impossible matter and beings in a reflexive state of becoming—morphing, deforming, sprawling and spilling out with each aberrant encounter....
Subscribe to our weekly Gallery Rounds Newsletter for new Reviews, Art opps, Art Events, & More every week!