Cornelia Parker's landmark retrospective at Tate Britain journeys through her multimedia work to narrate a country willingly stuck in small-island-energy. Parker (b.1956) examines objects by considering how they change when their associated value is disrupted,...
Russian exile Lev Rukhin creates grand works of realism tinged with just enough peculiarity to suggest doubt. They are dreamlike—much of the imagery is suspended in a nimbus—and implies both memory and trickery. This device is quite intentional; the exhibition is...
The first iteration of Documenta, curated by Arnold Bode, took place in 1955. Since then, every five years for 100 days, Documenta occupies the city of Kassel, Germany. More often than not, it is an international showcase of current trends and ideas in contemporary...
The City of Namara is a fictitious place created by Robert G. Achtel. In the photographs that define this curious and digitally fabricated location, Achtel presents Namara as a place devoid of people and filled with modernist architecture. Each building is shot...
If the endpoint of a viewer's perception in art is to re-create something in the mind's eye through one's own experience of the artwork, then the work of art is demonstrative. It acts as a catalyst for the imaginative re-creation of something the artist is pointing at...
Having gone through a recent breakup, the theme of Sam Anderson's show, "Lunch Hour," felt all too familiar as the artist examines cyclical narratives of desire and disappointment. At first glance, the show at Tanya Leighton gallery feels like a departure for those...
Once upon a time there were "record stores" where one could look through bins of new and used albums, often organized alphabetically by musician/band and type of music, allowing listeners and viewers to troll though specific musical histories. Today, many people...
The enchanting lure of a hole, the tender scuttle of a bug, the mysterious vibrations of the forest, the pungent bloom of a corpse flower, the mutability of our fleshy bodies in decay—these are things that have fascinated and bonded my years of friendship with Geena...
In "Monsoon Season," her first ever New York solo show, on view at Charles Moffett, Natalie Strait presents new paintings of women that explore climate change, gender, queer culture and the experience of being a woman today. The women in Strait’s paintings are all...
In a planet crowded with polarizing paradigms, is it possible to contribute aesthetically to larger conversations about culture and existence? Life by Design, a group show currently at the Gresham Gallery at San Bernardino Valley College (SBVC), masterfully...
The progress of his career has been a methodical march; carefully scripted, stubbornly stage-managed, and precisely choreographed—each subsequent exhibition enhancing the shudder of an already disconcerting thrum. The result of such a steady and painstaking pace has...
Figuratively speaking, this year’s Venice Biennale is a “Brick House;” a metaphor for what creative women are capable of achieving when given the opportunity. Cecilia Alemani, the first Italian female curator since the inaugural Biennale in 1895, has included a...
Japanese artist Takashi Murakami is known globally for his colorful, smiling flowers, anime-inspired paintings and sculptures, and collaborations in fashion and music. His new exhibition, Stepping on the Tail of a Rainbow, presents an intimate but powerful display of...
Roy Dowell’s acrylic paintings are abstractions filled with interlocking and overlapping shapes of differing opacities. Though created from the depths of his imagination, Dowell’s many works reference textile designs, floral patterns, Tantric diagrams and mandalas,...
The work of Jovencio de la Paz exists between the ideal and abstract and what the press release referred to as the “fallibility of physical space.”I don’t think of “physical space” as a “fallible” domain, nor are digitally constructed spaces necessarily ideal. Yet...
In Outlaw Culture: Resisting Representations (2012) bell hooks states, “The function of art is to do more than tell it like it is—it’s to imagine what is possible.” Such words were actualized in “Known & Understood: Selections from the Permanent Collection” on...
There are few forces in the world as powerful as memory. Reconjuring the fleeting scents of former lovers and the chattering sounds of childhood, memory evinces that life is composed of so much more than the here and now; it summons impressions that both soothe the...
Working in a continuous exegesis of an overarching project, pursuing branching pathways to their conclusions then returning to the center and setting off again, Alison O’Daniel transforms elusive ideas and ambiguous experiences into concrete objects—still and moving...
Subscribe to our weekly Gallery Rounds Newsletter for new Reviews, Art opps, Art Events, & More every week!
