Step into Jairo Sosa’s installation, “Be True to the Game” and it feels as though you’ve stumbled upon the conclusion of a journey, an archaeological site or a moment of collective surrender. Room 3557, a small and mighty artist project space, is brimming with eight...
Since the early 1980s, Louise Lawler has been making photographic works that focus on the collection and presentation of fine art, and the various meanings of “in-situ.” Her early images were straightforward, black-and-white photographs that documented artworks in...
Viewing art is often followed by epiphanies—moments in which the viewer understands things both cognitively and perceptually. Sometimes it even provides a glimpse into another place, at another time, about which one does not yet have any real experience. “The Shape of...
Currently on view at Gallery V, located on the Pasadena City College campus, is “Xanadu,” a group show featuring the work of nine artists. Though tightly curated by Shelli Tollman, who is also in the show, each artist has enough breathing room to leave a real impact...
Vivid and broad brushstrokes streak across Nicole Wittenberg’s paintings currently on view at the newly opened Los Angeles gallery, Fernberger. The exhibition, titled “Jumpin’ at The Woodside,” marks Wittenberg’s first solo show in Los Angeles and the debut of her new...
Cristina Iglesias’ exhibition, “Ellipsis,” features otherworldly, large-scale sculptural environments crafted from materials such as casted aluminum, bronze, copper, glass, steel and various pigmented materials. This collection draws inspiration from Stanislaw Lem’s...
For their joint exhibition at John Doe Gallery, Marek Wolfryd and Michele Lorusso present a selection of sculptures and paintings embedded in their shared exploration into Mexico’s history of architecture, urban planning and design. The title, “A Collapsing...
They are dense forms, knots of entwined ropes and masses of clay, approximately the size of one of the larger internal organs. This suite of recent ceramic sculptures by Emily Ginsburg is presented on clusters of columnar plinths of corrugated cardboard that would be...
“January in the last extant stable society.” Joan Didion, “In Hollywood” (1973) — included in The White Album (1979) “You can get there from here,” was something like the thought rippling just beneath my immediate observations, coming upon several Jessie Homer...
One half of Moskowitz Bayse’s gallery is dedicated to “Impossible Apprentice,” a sublime inaugural solo presentation by Matthew Gallagher composed of intensely delicate and labored drawings made by fusing drafting film onto a molten wax surface. From a seemingly...
The Museum of Contemporary Art returns with its “Focus Series” featuring the first solo show of LA-based artist, Eddie Rodolfo Aparicio. “MOCA Focus: Eddie Rodolfo Aparicio” showcases some of Aparicio’s previous work of rubber castings and amber installations, while...
Especially in an era of infinite variability, the mirror motif can get pretty tired pretty fast, whether as a means of solving abstract compositional problems or finding meaning in figurative relationships. In his latest series of mounted, translucent, usually backlit...
A standout artist in 2023’s “Made in L.A.” biennial, Ishi Glinsky often plays with scale in his sculptures, paintings and drawings that reflect the customs of his tribe, the Tohono O’odham Nation. Fusing the past with the present, Glinsky examines pieces from his...
The Vincent Price Art Museum has mounted an ambitious and idiosyncratic survey of a little-known slice of Los Angeles art history. “Teddy Sandoval and the Butch Gardens School of Art,” curated by Dr. C. Ondine Chavoya and David Evans Frantz, sheds light on the...
With his first solo show in California, the Trinidadian painter Kenwyn Crichlow makes a memorable debut, displaying dynamic, reflective abstractions that engulf the viewer in a spectrum of sensations. Born in Trinidad and Tobago when it was still a British colony,...
Like the checkerboard floor of the gallery in which they are displayed, the two largest works in Hanna Hur’s exhibition, “Two Angels,” are gridded and divided down the middle. However, unlike the somewhat haphazardly arranged gray, black and white tiles at Kristina...
Over the past three decades, Fred Wilson has frequently exhibited objects in unexpected juxtapositions as a means for examining things in a new light. For his groundbreaking 1992 installation, “Mining the Museum,” he selected racially biased items from the collection...
The act of writing is a process of appropriations. Words predate the user, who then borrows and deploys them. With each new text, these tools of communication are shuffled to embody another of their possible sequencings, attempting to connect the writer to their...