Since the early 1980s, Louise Lawler has been making photographic works that focus on the collection and presentation of fine art, and the various meanings of “in-situ.” Her early images were straightforward, black-and-white photographs that documented artworks in...
Currently on view at Gallery V, located on the Pasadena City College campus, is “Xanadu,” a group show featuring the work of nine artists. Though tightly curated by Shelli Tollman, who is also in the show, each artist has enough breathing room to leave a real impact...
Vivid and broad brushstrokes streak across Nicole Wittenberg’s paintings currently on view at the newly opened Los Angeles gallery, Fernberger. The exhibition, titled “Jumpin’ at The Woodside,” marks Wittenberg’s first solo show in Los Angeles and the debut of her new...
For their joint exhibition at John Doe Gallery, Marek Wolfryd and Michele Lorusso present a selection of sculptures and paintings embedded in their shared exploration into Mexico’s history of architecture, urban planning and design. The title, “A Collapsing...
“January in the last extant stable society.” Joan Didion, “In Hollywood” (1973) — included in The White Album (1979) “You can get there from here,” was something like the thought rippling just beneath my immediate observations, coming upon several Jessie Homer...
The Museum of Contemporary Art returns with its “Focus Series” featuring the first solo show of LA-based artist, Eddie Rodolfo Aparicio. “MOCA Focus: Eddie Rodolfo Aparicio” showcases some of Aparicio’s previous work of rubber castings and amber installations, while...
Especially in an era of infinite variability, the mirror motif can get pretty tired pretty fast, whether as a means of solving abstract compositional problems or finding meaning in figurative relationships. In his latest series of mounted, translucent, usually backlit...
As with many works of contemporary art, Claudia Keep’s compact paintings first entered my field of vision on social media, where her imagery retains its appeal, even as her textured, varicolored and economical brushstrokes are flattened out. Keep often makes blunt...
Spectacular and sinuous, Ann Weber’s large-scale sculptures create a mythic world, one that viewers step within and explore as if moving through a strange and lovely forest of anthropomorphic shapes. Created entirely from cardboard strips, the sculptures are woven...
Global pandemics democratize pain, suffering and loss. Therefore, who does one turn to when inquiring about world-reshaping events that impact the interpersonal and economic fabric of society? The answer is artists as they function as visual ethnographic historians....
“Phranc: The Butch Closet” at the Craig Krull Gallery is a joyous celebration of a Los Angeles icon. The ambitious exhibit, which includes work and documentation from the past forty years, illuminates how Phranc and her music—she identifies herself as the...
Birds in the trees: all is right in the world unless it’s three in the morning and their birdsong is interrupting your sleep. Birds on a telephone wire: a testament to adaptation in one’s habitat; I hope it doesn’t ruin your connectivity. Birds on the beach: better...
Terri Friedman’s wonderful woven tapestries are on display in “tomorrow is just a thought,” the artist’s solo exhibition at Shoshana Wayne Gallery. Friedman has been creating her "yarn paintings"—applying formal principals of color, shape, and texture to her...
Julian Charrière is a Berlin-based artist whose work often focuses on nature, ecology and the changing climate. For his first Los Angeles exhibit at Sean Kelly, “Buried Sunshine”, Charrière was drawn to the subject of oil and researched the history and photographed...
I’ve always found the word “gilded” to be slippery. On a literal level, it refers to the application of paper-thin sheets of gold leaf, a technique that’s been around for millennia. Not only does the process coat and protect ordinary materials like wood or stone, but...
Nobody walks in Los Angeles but ducking out of the overheated concrete jungle and into “Between past and present/ Between appearance and memory,”—Soumya Netrabile’s vivid exhibition of wildlife, texture, line and color at Anat Ebgi—may inspire the urge to lace up your...
This September, the Academy Museum opened its John Waters retrospective entitled “John Waters: Pope of Trash,” shortly followed by Waters' induction into the Hollywood Walk of Fame. The exhibit includes the glasses Mink Stole wore in Pink Flamingos (1972), costumes by...
In Gladys Knight’s version of “The Way We Were” (1974), she sings, “Can it be that it was all so simple then; or has time rewritten every line; if we had the chance to do it all again, tell me, would we? Could we?” Upon viewing “Evita Tezeno: The Moments We Share Are...
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