This exhibition is simply horrible: a catalog of horrors, a parade of barbarism made all the more wretched because we have become inured to atrocity, our attention spans irredeemably vaporous. It is both commonplace and theatrical, a fleetingly addictive...
While Rachel Rosenthal is best known for her performance work, the collage works on display in “Thanks: Collage Works from the 1970s,” with their aged surfaces and intersecting themes, reveal an artist whose force of sentiment is firmly grounded and luxuriously...
With “Metamorphosis,” Southern California-based artist Yolanda González offers a haunting solo show of monochrome images powerful enough to overwhelm any technicolor image. Her original “Metamorphosis” series, an experimental series she began in 1995, was created...
The existence of an “edge,” a precipice, an ever-deepening chasm, a transitional space from one reality into the next—be it from spring to summer, enslavement to freedom, life to death—involves a commitment to a new beginning, an awakening of sorts into an alternate...
Adam Pendleton’s first solo exhibition at David Kordansky Gallery unfolds across three exhibition spaces and invites viewers to engage with the different aspects of his unusual and critical practice. Large black-and-white paintings with the repeated phrase “WE ARE...
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