An interview with Paris Photo LA’s new director, Florence Bourgeois, and the new artistic director, Christoph Wiesner, was the first thing on my agenda for the fair this year. I wanted to get from Bourgeois and Wiesner a sense of what changes or innovations they hope...
Turning Art Upside Down
Prestidigitator, composer, engineer and conceptual artist Nahum hails from Mexico City, has lived in London for many years after a degree from Goldsmith’s College, but really, he belongs anywhere. Recently he and eight other Mexican artists, along with a Mexican...
The Bold Standard
IN THE BEGINNINGThere is something about abstraction. The concept of the non-pictorial, non-mimistic image is unique in art, and in the world. Sometimes it seems to me that there is abstract art, and then there is everything else. This is what Ad Reinhardt meant when...
James Hayward: Maker’s Mark
Los Angeles painter James Hayward taught a USC graduate seminar in 1987. That was my introduction to him. He wasn’t much of a teacher, but he sure was a talker. He sat in a chair front and center in the classroom with his legs stretched wide open. When he would get...
Space Invasion
Think about the differences between the long-standing practices of painting and sculpture, and clichés persist: Painting is “flat,” sculpture is not; paintings go on a wall, sculptures do not. In contemporary art these separate paths often intersect; some notable...
Analia Saban
An acknowledgment of tradition coupled with a refusal to conform to established conventions makes Analia Saban an artist not easily categorized. Her work flows seamlessly across genre, concept and medium.A native of Argentina, Saban recalls arriving in California...
Sheldon Figoten
I met Sheldon Figoten in San Francisco in the mid 1970s. We were just a couple of ambitious young artists from Los Angeles on sabbatical in California’s northern hemisphere at the time. After returning to SoCal, Figoten settled in Venice and over the years has become...
Liat Yossifor
Propped against the wall of her second-story Hollywood Boulevard studio, three of Liat Yossifor’s gray paintings—each about seven feet by five feet—in various stages of completion sit perched on low wood supports. Yossifor’s high-ceilinged studio feels spacious, if...
Can I Get a Witness
The early 20th-century’s turn towards modernism in painting was a decisive shift in interest away from artistic representation of acts of witnessing. Abstract art—which now seems to dominate many visual demesnes including the decorative and graphic design, and sets...
JANE CHAFIN
Technically, a grande dame is a highly respected elderly or middle-aged woman who has extensive experience in her field. Although gallerist Jane Chafin is certainly not elderly, she is highly respected and experienced in our art business. And she is building a...
China: Ai Weiwei on Alcatraz
On a clear sunny day there’s a press preview for the ambitious “@Large: Ai Weiwei on Alcatraz” exhibition. Famous for its former use as a prison, with notorious inhabitants such as Al Capone, George “Machine Gun” Kelly and Robert “The Bird Man” Stroud, its layered...
India: Hema Upadhyay
Artist Hema Upadhyay has been a force in Indian contemporary art for two decades. Still, her recent solo exhibition at Chemould Prescott Road in Mumbai in fall 2014 was a major event in both the artist’s trajectory and the landscape of Indian art today. “Fish in a...
Cambodia: Vuth Lyno
In a series of evocatively posed large photographic diptychs entitled Thoamada II, Vuth Lyno expands common frameworks of sexuality, family and memory. This work is an outgrowth of an earlier series of photographic and audio portraits of individual MSM (men who have...
Korea: Do Ho Suh
Do Ho Suh has a career that has yielded exhibitions at Tate Modern, the Serpentine Gallery, the Liverpool Biennial, the Gwangju Biennale, a retrospective show at the Seattle Art Museum, and the Venice Biennale where he represented his native South Korea. His practice...
Taiwan: Chun-yi Chang & Yinling Hsu
For Taiwanese artists Chun-yi Chang and Yinling Hsu—currently in residence at the International Studio and Curatorial Program for emerging to mid-career artists in New York—probing notions of temporality and human disconnectedness form the core of their practices....
Hong Kong: The Umbrella Report
When the Hong Kong police first used tear gas and rubber bullets on the crowd of young and unarmed demonstrators in front of the government building on Hong Kong island—the moment the so-called Umbrella Revolution started in earnest—I was just arriving in the lovely...
Guangzhou, China: Vitamin Creative Space
In an unassuming location next to a bus station and a shopping arcade in the huge Southern Chinese city of Guangzhou is Vitamin Creative Space, an experimental art space created to engage with contemporary China but “inspired by the confrontation between contemporary...
Japan: Yokohama Triennale 2014
The 5th Yokohama Triennale closing ceremony ended with the burning of the specially created book, “Moe Nai Ko To Ba,” ironically titled “Words That Can’t Be Burned,” an homage to Ray Bradbury’s novel, Fahrenheit 451. This custom one-of-a-kind book was a centerpiece of...