The image on the wall delivers a message of warmth and messiness. Amanda Charchian calls it 7 Types of Love, Agape, and it presents a disembodied pair of female lips floating against a soft sea of pink, a cloud of blood seeping from the red lipstick. As a photograph,...
2017 BESTS: Just in time for the Oscars
2017 has been a brilliant year for the movies. And they were good in so many ways, let me try to count them: They offered novel subject matter, woman falls in love with fish-man in The Shape of Water; a despised ex-athlete gets her cinema redemption in I, Tonya; a...
A Sea of Art Afloat at SoCal’s Art Fairs
All weekend, the Westside was ablaze with art. StART Up Fair, located at The Kinney (no relation to our editor!) Hotel in Venice, featured over 67 artists in a series of terrific and eclectic motel-room installations. At Friday’s opening, performance artist Guta Galli...
The Formaldehyde Trip at The Broad
Traversing pre-history, Mesoamerican cosmology, and sexually free interplanetary-futurism, The Formaldehyde Trip, a live performance with video and songs, creates alternate realms for the overlooked casualties of colonialism. Dedicated to the memory of Bety Cariño, it...
Making Widgets Not Revolution
The rendezvous point was a small coffee shop and bar. Along with about 30 other recruits (participants) I was given a lanyard containing a welcome letter and a schematic of Colony 933. I almost missed a small tightly-rolled scroll that outlined a brief modern history...
Ed Moses: A Remembrance
Last Tuesday night (January 16, 2018), a day before he died, Ed Moses had an art opening of his latest work at a gallery space next to the new Hal’s restaurant in Playa Vista (where you can see a remarkable installation of his painted sliding door screens). Ed wasn’t...
Carmina Escobar’s Fiesta Perpetua!
In ancient days of strife and warfare, a death squad of bird-women used the strategies of sound and seduction to destroy their enemies. Homer gave the Sirens a starring role in book 12 of The Odyssey, where they attempt to divert Odysseus from his returning home to...
Design Crosses Art: SF Art Fairs
Sometimes art looks like design, and sometimes design looks like art. It’s hard to know the difference these days as both artists and designers seemingly want to merge one with the other. Either way, the 5th edition of FOG Design + Art was the perfect hybridization....
There’s Still Art: Astrid Hadad
On Thursday evening, when performance artist Astrid Hadad began telling a glitter-bombed, sombrero-wearing rubber chicken that everything would be okay, I remembered that there was still good in the world. The day’s news had been completely crappy, and I had ridden...
Artillery Best in Show 2017
The experience of art in Los Angeles is always both very specific to its localized encounter and acutely conscious of its engagement with the world. As political forces outside California moved to further isolate us in 2017, that dialogue and artists’ sensitivity to...
Theory and Experience in the Work of Kandis Williams
At Kandis Williams’ studio, sparse and white with tall ceilings and drywall divisions, her studio neighbor Orion Martin and I sit and talk with her about contemporary intimacy. I am struggling as to whether I should revive a Tinder account in an act of hysteria...
Axis Mundo: Queer Networks in Chicano L.A.
In the mainstream, queerness has a way of being pushed into the shadows, forced back into the closet. It happens all around us, especially in communities of color, spaces which still oftentimes say that queerness does not belong here. It was a bit of a surprise then...
Culture Coverup: L.A. Chicana/o Murals under Siege
Just as there is a certain metaphysical link between acknowledging one’s existence and looking in the mirror, there exists a similar link between the acknowledgement of a culture’s experienced reality and its representation in media. When a cultural group lacks...
Contemporary Art of the Caribbean Archipelago at MOLAA
Years before the Getty’s “Pacific Standard Time: LA/LA” was initiated, the Museum of Latin American Art was exploring Latin and Latino culture. Its previous 2011–12 PST, “Mex/L.A. ‘Mexican’ Modernism(s) in Los Angeles, 1930–1985,” explored the relationship between...
Report from New York
China had its first major avant-garde exhibition in 1989, which was also the year of the Tiananmen protests. The exhibition “Art and China after 1989: Theater of the World” (through Jan. 7, 2018) at the Solomon R. Guggenheim Museum, New York, acknowledges that sea...
AbEx East Influences
“Abstract Expressionism: Looking East from the Far West” is a new exhibition at the Honolulu Museum of Art in Hawaii seeking to revisit and, in effect, rewrite the history of Abstract Expressionism. Since AbEx debuted in the 1940s, the movement has been lauded by...
Tectonic Shift at Nevada Museum of Art
Perhaps the best way to think about “Unsettled,” the ambitious fall exhibition at the Nevada Museum of Art, is from a planetary perspective. As a complement, a separate project concurrently on view suggests and reinforces that viewpoint. A one-to-one scale model of a...
The Problem with Jorge Pardo
This past August I decided to brave the coastal traffic to make a visit to the Lux Art Institute near San Diego. I was on deadline and woke up with a cold, but I had been notified that mega-artist and LA expat Jorge Pardo was scheduled to speak as his...