My previous column ended with a quote by French graffiti artist Tilt: “The pop culture war is over. America, you won,” along with my wish “Let’s just hope we lose the street art war.” Far from being a Francophile (I don’t love Paris), I harangued against the sameness...
Ever since 1912, when Picasso and Braque first collaged actual newspaper clippings and trompe-l’oeil woodgrain fragments into the first Synthetic Cubist oil paintings, the confusion between mass media and fine art has been one of the central engines of contemporary...
BEFORE YOU CAN EVEN WATCH THE GENerally hit or miss online content of MOCAtv you'll have to navigate through a bombardment of commercials and pop-up ads conjured up by Google and used as revenue for both the Internet giant and MOCA. The newly instated YouTube channel...
ELI LANGER'S RECENT SOLO SHOW IS AN ENCHANTING LANDSCAPE of nocturnal emissions and conversations. Seemingly crafted out of countless late nights spent in furtive dialogue with self, nature and others, the show offers suggestions of urban influences and psychological...
AUSTRIAN FILMMAKER ULRICH SEIDL'S PARADISE trilogy takes an unflinching look at society, portraying the lives of three women: an elderly woman and sex tourist (PARADISE: Love), a devout Catholic (PARADISE: Faith), and a teenager who stays at a weight loss camp in the...
IF ANY OUTLIER SLEEPER CELLS OF AL QAEDA need further evidential motivation to make another terrorist strike against the decadent West, they need look no further than Bravo's new so-called reality series Gallery Girls. In a desperate ploy to further capitalize on the...
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