When looking at art one considers line, shape, volume, the play of light across pigment. When looking at Los Angeles, one considers other lines. The stark divide between the haves and have-nots is as tangible as the freeways that divide one neighborhood from another....
Revealing a neglected and deliciously beautiful world from which we get only a handful of 72” x 60” snapshots—monochromatic yet stippled with smears, cracks and drips—Brenna Youngblood’s eight massive canvases, all mixed media, narrate a fall from grace. Titles...
Sayre Gomez’s solo offering at François Ghebaly Gallery, “I’m Different,” trumpets its title’s adolescent battle cry across two galleries of new work. Speakers disguised as Froot Loop-hued boulders pipe in the Top 40 from every corner of “The Hypnotic Presence of...
“FOOD - WATER - LIFE” presents a sort of equation, a distillation of concerns about immigration, labor and meaning in a globalized economy that drags our personal lives along for the ride.Married French artists Lucy+Jorge Orta construct a figurative Ikea catalog of...
In artist-filmmaker Morgan Fisher’s fourth solo show with International Art Objects (formerly China Art Objects), vintage 1930s house paint samples are enlarged to three-by-four-foot panels and rendered in modern acrylic house paint. These color fields are taken from...
Lesley Vance’s work may at first read like Diebenkorn in miniature, but her solo show quotes midcentury abstraction in a distinctly Reagan-era palette; little messages from the 1960s retold in twilight Cold War parlance. The gallery walls nearly swallow her small...
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