To attempt to improve upon nature can mean creating a monster, something we are quite accustomed to in the plastic surgery industry, as we are in love with artificiality. How did this happen? Boredom with nature? Love of our own capabilities? Maybe it’s not a bad...
RETROSPECT
It is depressing for me to think that most of my favorite art is a cold-hearted attempt at mind control. No, the Egyptians were not thinking only of beauty when they built the pyramids; they were thinking of death, and the power of intimidation. The little servant...
RETROSPECT
Narrative art is art that holds a story in it. It is as old as a simple clay bowl that holds life-giving water. The narrative art that most effected me, at a tender age and for the rest of my life, were the pictures by Kay Nielsen that I saw in my fairy tale book,...
RETROSPECT
It seems the art critics think Andy Warhol’s Shadows painting (1978-79) at MOCA is the worst he has ever done—meaningless disco junk! One has to ask, if it is so terrible why would such a smart artist need 102 canvases to complete the series? Warhol himself called the...
RETROSPECT
A lover of Marsden Hartley’s landscapes, especially the “Dogtown” series, I have never been interested in his so-called cubist series depicting German symbols. Why would someone who could paint the mystical rhythms of Dogtown or the insane colors of the Mexican desert...
RETROSPECT: Emil Nolde (1867–1956)
The inclusion of Emil Nolde in the excellent exhibition, “Expressionism in Germany and France: From Van Gogh to Kandinsky” at the Los Angeles County Museum of Art, is a brilliant decision, though Nolde was not known for joining groups for very long. Many of his...
Retrospect
The photographs at the Annenberg Space for Photography of National Geographic magazine are cinema-size, faces larger than life, their suffering and innocence unbearable but attached to your memory forever. There are also animals filled with destroyed beauty and a...
RETROSPECT: Henri Rousseau
I heard a rumor that some artists went to visit Henri Rousseau and were shocked that he put one of his paintings on the floor for them to walk on because he didn’t have a rug. Was he naive? Crazy? Suffering from low self-esteem? It doesn’t matter. He was unique and so...
RETROSPECT: Lou Reed
I was sitting in my car when I heard that Lou Reed had died. The announcer went on to say that although Reed was not as famous as the Beatles or the Eagles, blah, blah—I almost rear end the car in front of me. Not as famous as the milquetoast-I-Wanna-Hold-Your-Hand...
RETROSPECT
If sex has been around in art for so long, then why do O’Keeffe’s vulvalistic flowers generate so much special negative attention, as in the phrase, “Yeah, she’s good but I don’t like her—too obvious, too sexual.”? Is this because her sensually-charged paintings of...
RETROSPECT
For me, Claude Monet stands between two of my favorite artists who played with the disintegration of the object rather than its creation: J.M.W. Turner and Anselm Kiefer. Turner’s objects sailed forth only to be obliterated by light as if they were Viking funeral...
RETROSPECT
We all know that for a long time artists used to use the Greek myths as an excuse to paint nudes, confident that men never tire of female flesh being offered up in various religious costumes, but what about the other audience—women? Men are always promised things in...
RETROSPECT
The first time I saw Van Gogh’s Self-Portrait it was in my mother’s bedroom, hanging on the wall opposite the two Gauguins that hung over her bed. I liked the Gauguins—they seemed happy and far away—but the Van Gogh was problematic. He didn’t look like a nice man and...
Retrospect
DONALD JUDD (1928–1994) What is this love of simplicity that gave us the great barren art form of Minimalism and its regressive culmination in the blankness of a simpleton? The real master it serves is industry because simple is just cheaper to make = a...