There are dark recesses of art that draw us into something we may think we want no part of: images that weave the repulsive into skeins of elegance that we do not fully understand because the understanding resides only within the artist, if anywhere. The effect is...
Will Thornton
Paulo Nimer Pjota & Patricia Iglesias Peco François Ghebaly
Occasionally a gallery delivers a show of work that activates the intellect, rewards an afternoon of driving, and restores a little hope. In the small gallery at François Ghebaly are Patricia Iglesias Peco’s large works on paper. Flowers rendered in understated...
Book Review: Set the Night on Fire "Set the Night on Fire: L.A. in the Sixties" By Mike Davis and Jon Wiener
In this passionate, lovingly detailed historical account of the struggle for social justice from multiple sectors of society in Los Angeles during an epic American decade, Mike Davis and Jon Wiener have written a history of activists who believed in democracy and...
BEYOND MOOD: Yunhee Min
Yunhee Min’s work at Susanne Vielmetter Los Angeles Projects last summer follows an earlier body of work similar in style, “Movements” at her New York gallery in 2016. Both of them mark a strong new direction for her painting. The new series, entitled the “Wilde...
The LA River Comes of Age
So much about the Los Angeles River is not immediately obvious. That it’s a river at all, for example, still comes as a surprise to some. Others wonder when it will ever get the help it needs to really look like a river. The natural river was at least 80 percent...
OP-ED
LACMA is moving forward on the funding and eventual construction of the controversial $650-million-plus Peter Zumthor–designed building project that will replace three of the existing buildings and will bridge over Wilshire Boulevard.Zumthor has done superb work on...
The Guerilla in the Room
From the beginning, the plans for the new Los Angeles County Museum of Art building have been a private collaboration between Director Michael Govan and the Swiss architect Peter Zumthor. This latest chapter in the quest for a new building for the county museum began at a preview I attended in the LACMA auditorium for the exhibition The Presence of the Past on June 3, 2013. More than a preview, it was a show of its own for a project that had advanced without public review, all the way to finalizing the mass, the shape and the exterior circulation of an apparently unconventional new building.