I was generally sympathetic to the examination of remote machinic vision on display at XPO Gallery, with their presentation of a Brooklyn-heavy group show that is weirdly shut to the public: HIKE, HACK, HIC et NUNC. Interestingly, it coincided with the punch of...
Recently I went to Pascal Dombis’s Parisian studio to look into the large public artwork that he will be installing at end of this year at the National School of Architecture in Strasbourg. While there, I formulated some general reflections on his work. For...
“Our whole purpose was to integrate objects from the world of machines and industry in the world of art. Our typographical collages or montages set out to achieve this by imposing, on something which could only be produced by hand, the appearances of something that...
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