Viewing art is often followed by epiphanies—moments in which the viewer understands things both cognitively and perceptually. Sometimes it even provides a glimpse into another place, at another time, about which one does not yet have any real experience. “The Shape of...
Many of the works featured in Nancy Monk's exhibition "Walk + Wood" at Craig Krull Gallery are of small scale and draw from a restrained palette. Looking at the works, the viewer sees things that, at first glance, appear whimsical and childlike. However, on closer...
Linked by their common use of embroidery, the 13 artists featured in Craft Contemporary's exhibition "Strings of Desire" bring the beautiful intricacy of thread to life. It is imperative to see these works in person to appreciate the effect of threads, yarns and...
To meander is not the same as to walk from point to point. Aside from being less direct it also implies a kind of dallying and teasing out of things that marching from place to place simply does not accomplish. All the artworks in Fran Siegel's show "Chronicle,"...
In the middle of the otherwise empty parking lot, a square of green grass houses a dark bronze tree trunk. The leafless branches expand out from the top of the trunk and amidst those branches another tree of a silvery color is nestled upside down. The cluster of...
The lighting is low. The furniture and wallpaper appear disheveled. It soon becomes clear that everything is dilapidated; floor cushions are deformed, lumpy and discolored. The couch is disproportionate. It faces a scarred wall where instead of a fireplace there is a...
The elusive relationship of the brain and the mind has always fascinated without ever quite being resolvable. It is as though we collectively hold the convoluted gray mass that constitutes the brain in suspension with respect to its relationship to the entity whose...
If the endpoint of a viewer's perception in art is to re-create something in the mind's eye through one's own experience of the artwork, then the work of art is demonstrative. It acts as a catalyst for the imaginative re-creation of something the artist is pointing at...
Colorful, peculiar and static, Arlene Shechet’s freestanding sculptures possess an animation. They cant and list in space, tilting precariously as if ready to tumble. On a plinth or platform, they are eccentrically placed, rarely centered. The spatial lilting is seen...
Thresholds—with their curious balancing act between two places, spaces or states—have always exercised a tremendous pull upon human imagination. It is, without even working at it, a naturally apt analogy for multiple types of transformation. The number of commonly...
Diaphanous panels of fabric, suspended from the ceiling appear to float throughout the main gallery, yet upon closer inspection these tulle panels reveal some areas that have been tightly stitched while others are allowed to billow freely. Color is insinuated with a...
As the room unfolds before a viewer’s eyes there is a veritable procession of numbers going from one to nine through all the gyrations of being outlined, filled in or partially obscured. It is as though the sequence of this set of well-known forms is taken...
Various sizes of square panels mostly covered with dots with groups of parallel lines and occasional fields of paint line the gallery walls of Locks Gallery in Jennifer Bartlett's installation "Recitative"—its title derived from a rhythmic free form vocal style of...
Fragments of paper, cardboard, wire and foil have all been carefully orchestrated into a space that seems to float seamlessly and coalesce into a compelling quasi-geometric composition in “Collages 1957–1982” by Louise Nevelson. On closer inspection, it becomes clear...
From an ultramarine field, a glyph emerges. It is the shape of something, human or animal, and it appears to pirouette in the center of the canvas. Drawing closer reveals other marks scratched into the surface of the blue, or small fragments embedded in the field. One...
The capacious white central gallery is filled with a medley of artworks that at first glance seem to have no apparent connection. Sculptures, photographs, paintings and ceramics are distributed evenly on the walls and floor. Eventually it becomes clear all of these...
Miranda Garno Nesler earned her PhD from Vanderbilt University and serves as the director of Women’s Literature & History for Whitmore Rare Books in Pasadena. ARTILLERY: How did you get started in dealing with rare books? GARNO NESLER: Books have always been there...
Upon entering Stephen Neidich’s solo show, “five more minutes please,” everything is stock still, until the clattering begins. It immediately becomes clear that one’s movements cause the Venetian blinds—hanging from the ceiling or against the gallery walls—to raise or...
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