The daily newspaper is not quite a thing of the past. For some, it still arrives in printed form each morning at the front door. But the combination of "breaking news" stories and the Internet often makes this printed document obsolete: the web brings current news to...
Artists known for their breakthrough projects or a specific style often have difficulty changing directions. Fortunately, Sadie Benning has resisted this conundrum, moving successfully between mediums and subjects. Her early works were confessional videos created with...
A master of text-based montage working in the traditions of Fluxus, Concrete Poetry and Dada, Tm Gratkowski pays homage to artists like Kurt Schwitters and Tristan Tzara, whose complex word/image juxtapositions were imbued with cultural critiques. Trained as both an...
John Knuth’s provocative “Base Alchemy” juxtaposes minimal abstractions: tiny specks of dark paint over solid lighter colors; stretched reflective Mylar surfaces torn to reveal predominantly monochromatic backgrounds. Knuth’s Mylar images pay homage to Lucio Fontana,...
Can the aftermath of a nuclear disaster or any other kind be measured or quantified? Certainly not with a handmade yard-stick. British twins Jane and Louise Wilson ponder these questions in their compelling exhibition “Imperial Measure.” The installation of...
Panoramic history paintings depict all encompassing views, often creating a cinematic effect, and require active participation from the viewer, who is surrounded by the imagery. Meleko Mokgosi’s much lauded, multi-panel paintings exhibit a technical mastery that he...
At first glance Dustin Yellin’s sculptures seem to be all about process and accumulation. They are a technical feat created by fusing layers of collaged and painted quarter-inch glass sheets into blocks that weigh thousands of pounds. These three-dimensional works can...
When not sure what to say or write, one might fill space with “x x x,” “blank blank blank” or “. . .” Petra Cortright titles her recent exhibition with all three—“x x x blank blank blank . . . ”—alluding to casual causality and ideas that will be completed...
Fragmented and contorted bodies in motion span the gallery as if onstage in Bettina Hubby’s exhibition “Pretty Limber.” Large-scale figures made of vinyl decals float across the space, wrapping around corners and emerging from the floor. Composited from numerous...
Shot from behind a glass partition, a girl with long blond hair sits alone at the edge of an empty pool. Her back is to the camera; her legs create ripples in the blue water. Where the pool ends, a golf course begins. The setting is obviously one of wealth. This color...
Kelly Barrie’s hybrid process at first seems antithetical to photography and its ability to stop time, yet it is through his improvisations—like the nimbleness required by a skater or graffiti writer—that his work ingeniously engages a series of paradoxes. Rather than...
Since its invention, the camera has often acted as an intruder, an interloper or an uninvited guest. Walker Evans photographed subway riders from a camera hidden in his coat. His black-and-white images depict men and women gazing at the camera while immersed in their...
IN HER CURRENT WORK, KERRY TRIBE APPROPRIATES CONTENT from Hollywood films, specifically those shot at the Greystone mansion in Beverly Hills, piecing together dialogue culled from over 60 films. "There Will Be" features the 30-minute original film Greystone, as well...
In her current work, Kerry Tribe appropriates content from Hollywood films, specifically those shot at the Greystone mansion in Beverly Hills, piecing together dialogue culled from over 60 films. “There Will Be ” features the 30-minute original film Greystone, as well...
Mike Kelley and Michael Smith are iconoclasts who for years have challenged accepted conventions, creating artworks that provoke and titillate. Although friends since 1975, they have never collaborated before. “A Voyage of Growth and Discovery,” their first work...
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