Joanne Heyler is the founding director of The Broad museum and director and chief curator of The Broad Art Foundation. She has been Eli Broad’s principal art advisor for the past 23 years.Artillery: Have you ever disagreed with a purchasing decision, or the final...
Contrary to certain art historical narratives, painting has never waned, but only been ever more rigorously interrogated—usually by the artists engaged with the medium. Chris Barnard is one of those artists mining and turning over the modernist tropes of figural...
The term, “mindful awareness,” is a buzz phrase in current therapeutic and meditation circles (and, as I discovered a year or so ago, the institutional art world—or at least the Hammer Museum, by way of its alliance with UCLA’s Mindful Awareness Research Center). But...
The catastrophic intersection of the man-made or engineered environment with nature may be the great subject of 21st century art. As the title of her show implies, Liza Ryan places visual brackets around our notions of boundary—of separation, protection or insulation...
I’d taken a photographer friend to The Getty to look at the Light, Paper, Process show curated by Virginia Heckert – a must for any photographer and, for that matter, for anyone interested in process-oriented form and media (which includes myself, in recent months)....
I try to avoid reading too much into titles of paintings because they can rarely be more than the most tenuous captions for something effectively functioning in a language of its own. Occasionally a show’s title underscores a certain theme resonating through the...
The auction market, and in particular the salerooms of the two major auction houses, Sotheby’s and Christie’s, have long been a proving ground for the marketplace maturity of every kind of specialty commodity, including fine art. Auction houses have aggressively...
The show’s title, “1993 to 2011,” gave some indication of the artist’s preoccupation with the relative ‘curve’ of time; but that was scarcely half of it. Clark took full advantage of the space-time manifold within the gallery’s rectangular ‘white cube’ space, not...
There were moments in the recent James Darrah directed production of the Los Angeles Philharmonic performance of the Beethoven Missa Solemnis, conducted by Michael Tilson-Thomas (a co-production with the San Francisco Symphony, in celebration of Tilson-Thomas’ 70th...
In case you didn’t notice, Hello Kitty invaded Los Angeles in November. If you were anywhere near Little Tokyo, you could scarcely escape the impression that not only that neighborhood, but half the population of LA’s downtown and east side had been initiated into the...
Is fashion the medium of the moment? I’m not talking about haute couture or luxury ready-to-wear fashion design. Since the ascendance of Conceptualism, the means of fabrication have been more or less beside the point in fine art; and so it would be here. This isn’t...
Climate experts have yet to advance their science to a point where we might seriously contemplate climate management, but if they ever do, they might find the curatorial method of “Made in L.A. 2014” instructive. This more sharply focused edition of the Hammer...
I always thought that Phyllis Diller’s public/comic persona (the hair, the toothy smile, the A-line dresses and feathery accessories, gloves, booties, cigarette and holder) was her greatest work of art. But she was also a pretty great comic and (with a little help...
One thing that came across in Jeff Koons’ recent Broad-sponsored (“Un-Private”) conversation with John Waters was a sense of the satisfaction Koons took from his work as a bond salesman and commodities trader on Wall Street. His fascination with commercial exchange...
The word he kept returning to was “conversation,” which, under less pressing circumstances, might have described our interview, except that Philippe Vergne, MOCA’s new director, was on a something of a treadmill. He had scarcely been on the job 10 days, and had...
Even more than, say, Richard Tuttle, to whom he might (uneasily) be compared—B. Wurtz tests a viewer’s relationship to objects and construction of their meaning, significance, even utility. This encompasses relations among objects, and by extension, our relationship...
As I meandered through Marisol Rendón’s installation, “So, Dragons Do Exist?” at Luis De Jesus Los Angeles gallery last summer (this was before I had even glanced at the contrarian, almost self-negating parenthetical subtitle, “Considerations of the Unavoidable...
[Orpheum Theatre, Los Angeles, February 24, 2013] ‘The best defense,’ as the old saying in legal and sporting circles goes, ‘is a good offense.’ John Waters, film director, artist, entertainer, theatrical impresario, and art connoisseur, goes better than that by...
Subscribe to our weekly Gallery Rounds Newsletter for new Reviews, Art opps, Art Events, & More every week!