Kathleen Ryan’s second solo show at François Ghebaly, "Bad Fruit," is a masterclass in contemporary object-making. In her massive fruit sculptures, the duality of decay and the cycle of life is on display as Ryan combines the industrial with the natural, the glamorous...
Tomashi Jackson’s new solo exhibition, Forever My Lady, is an exploration of propaganda, democracy and civil rights in the United States. Her collaged, sculptural objects combine elements from American and Greek elections—candidate signs, ballots, campaign buttons—and...
Upon exiting the newest exhibition at the Norton Simon Museum, “By Day and By Night: Paris in the Belle Époque,” each visitor is invited to take a print of Henri de Toulouse-Lautrec’s Red-Headed Woman in the Garden of M. Foret. This print is especially fitting as a...
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