Nobody walks in Los Angeles but ducking out of the overheated concrete jungle and into “Between past and present/ Between appearance and memory,”—Soumya Netrabile’s vivid exhibition of wildlife, texture, line and color at Anat Ebgi—may inspire the urge to lace up your...
One could see the LA-based artist Jesse Mockrin’s decision to name her first solo exhibition in New York City and at James Cohan—“The Venus Effect,” after the art historical term, motif, and visual effect—as itself a gesture towards acknowledging, even inviting...
This September, the Academy Museum opened its John Waters retrospective entitled “John Waters: Pope of Trash,” shortly followed by Waters' induction into the Hollywood Walk of Fame. The exhibit includes the glasses Mink Stole wore in Pink Flamingos (1972), costumes by...
It’s no secret, Gerald Ford could throw, and his famed football remembers him fondly, so singular and ever so brown, careening across the Michigan sky. He ran the country the way he assembled the field—one play at a time and always with the endgame in mind, but his...
With artificial flowers attached to motorized objects (such as massagers and exercise devices), Rachel Youn’s animated sculptures are hypnotic and strangely erotic, the rhythmic sounds of both the machines and the movements of the plants pulsating throughout the...
In Gladys Knight’s version of “The Way We Were” (1974), she sings, “Can it be that it was all so simple then; or has time rewritten every line; if we had the chance to do it all again, tell me, would we? Could we?” Upon viewing “Evita Tezeno: The Moments We Share Are...
In Erica Vincenzi’s intimate paintings of cropped images, the artist focuses on snippets of everyday life that may feel familiar to us, both in action and setting—two hands open a wine bottle, a blue dish rests on a kitchen counter—yet have a dreamy, mysterious...
In the rehearsed simplicity of “CLOSE, not too close” at David Zwirner, artist Rose Wylie grapples with Platonic ideals and the basic tools of semiotics. In both work on paper and oil on canvas, the artist depicts, again and again, important personal symbols....
Achieving a rich depth through numerous layers of thinned oil paint, Maja Ruznic creates vibrant, large-scale paintings that are both figurative and geometric, the flattened shapes of her almost patterned compositions reminiscent of Klee. With her subjects spanning...
In the entire time that I’ve lived in Los Angeles, I’ve never been interested in the goofy pomp and circumstance of granting entertainment celebrities a star on the Hollywood Walk of Fame, but this past Monday everything changed. The Pope of Trash, the Prince of Puke,...
Beat poet Allen Ginsberg often carried a camera with him so that he could memorialize his friendships in a photographic diary. From 1953-63, he spontaneously recorded times spent with an intimate entourage that included literary figures Jack Kerouac, William S....
Featuring two of Kelly Wall’s large, impressive stained-glass sculptures—the first a fusion of two reclining beach chairs and the second an awning—this show becomes an experience with light through the artist’s medium. With “Star” placed across the face of the awning,...
Passing through the doors of Carlye Packer brings you face-to-face with Nancy Pelosi. Dressed in a bright blue blazer, mask tight across her face and her right hand grasped around a gavel she has thrust in the air, Pelosi—or rather her likeness—is set center within...
Stove Pipe Black has been known to be quite presidential. A lofty, serious shade, yet with an air of whimsy skirting the edges. Jet black is for racing cars and black pearl possesses a hint of green that can sometimes be found on iguanas, but Stove Pipe Black can be...
At the Getty Center, Los Angeles’ world-famous “treasure box on the hill” bearing the name of oil tycoon J. Paul Getty, a monumental shift is underway. I chatted with Tongva artist Mercedes Dorame, whose art is at the center of it all. “Mercedes Dorame: Woshaa’axre...
A powerful indictment of the American legal system, “Redaction,” a collaboration between poet Reginald Dwayne Betts and visual artist Titus Kaphar, began its life as a 2019 exhibition at MoMA PS1 in New York. As a follow-up to the show, the artists, who are both...
How do we tell our stories? Martine Syms is rewriting the terms. In addition to sculptures, installations and text-based projects, the polymath Angeleno artist has made a string of ambitious films. Her work in FAV extends as far back as her solo show at MoMA in 2017,...
Art sector efforts to decarbonize have been highly visible over the past three years as galleries and artists have publicly pledged concerted action to reduce exhibition-related emissions: Nonprofit advocacy groups like Gallery Climate Coalition, Art + Climate Action...
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