Keegan Monaghan's paintings feel like the moldy nooks and crannies of a house or a well-worn shoe, rendered in epic and compact proportions. Their compositions shiver with an eerie affection akin to the apparitional creaking of my old, poorly insulated apartment. The...
Augustina Wang's fantastical world evokes a style of magical realism that is uniquely hers, embracing the immersive aspects of fantasy that function as a means of escapism, allowing more playful, nuanced, and expansive notions of identity to flourish. The femmes that...
The first weekend of the 2023 Coachella Valley Music and Arts Festival has come and gone, celebrating not only the best of music but of visual art, both locally and internationally. I was invited to meet with the slate of artists chosen by Paul Clemente with Raffi...
Vessels are shadowy shapeshifters—morphic geological bodies that contain ancient and imaginative geometries. A strange uncanniness is embedded in Masaomi Yasunaga’s ceramic vessels, evoking fossils and corporeal architecture. The sheen of some of their glazed surfaces...
Njideka Akunyili Crosby's portraits feel static on the walls of the Huntington Library. Thomas Gainsborough's famous "Blue Boy" painting in the adjacent room suddenly feels stagnant and deflated. The Nigerian-born and Los Angeles-based artist's large-scale collages...
Full disclosure up-front: I am well-acquainted with Zak Smith as an artist. Before we met (in 2010), I was aware of his work only because of his inclusion in the 2004 Whitney Biennial, and not incidentally because his work for that show had (what was for me) an...
Walking through Edie Beaucage's show of sculptures and larger-than-life portraits is like wading through clouds of brushstrokes made of vivid greens, blues, and pops of orange, the subjects of the paintings staring coolly at you. In the following gallery, Jean Lowe's...
Dear Reader, As long as there are people, there will be portraits. Face it—no pun intended—people are attracted to people. We like to look at ourselves; we like to people-watch; we gaze into our lover’s eyes. Our faces are unique and fascinating: they are who we are....
Congratulations to our winner, Tim Sassoon, and our finalists, Sasson's photo is seen above and first in our photo gallery in the March/April 2023 online edition of Artillery. The following photographs are the finalists. Please see the info below on how to enter for...
Jim Shaw’s work has always moved, both performatively and analytically, between the quotidian space of individual consciousness, and collective and cultural spaces both conscious and unconscious. Since he began using film studio and theater backdrops as readymade...
A procession of wooden plinths hold aloft groups of idol-sized sculptures, stout bodies with the hallmarks of Mayan figurines, whose torsos sport schematic rib cages, hearts and organs, and are topped with faces rendered in a contemporary style—portraits of migrants...
Transformation is at the heart of Elizabeth Malaska’s paintings which operate like a story or a fairytale—a mythology of metamorphic processes that disrupt, shape-shift, alter and expand concepts of the self—employing a kind of magical thinking oriented around...
It is not unusual for an exhibition of Friedrich Kunath’s paintings to be accompanied by something outrageous and unexpected. In both 2012 and 2017 he carpeted gallery floors, transforming them into soft, colorful fields dotted with sculptures, couches, socks, giant...
Using a swirl of varied mediums, “Re•Iterate” is a fiery, highly textural exhibition curated by Lorraine Heitzman and featuring works by Heitzman, Raghubir Kintisch and Monica Wyatt. The viewer’s eye darts between textures, colors and patterns, finding a focus both in...
A meandering sun-bleached trek forms the exterior presence of Wardell Milan’s exhibition adjacent to the recently completed art museum at the oldest of the seven Claremont Colleges—an academic plantation that sprawls over 500 acres and eagerly sends clever children...
Luis Garza was a dedicated artist and visionary who helped advance Chicano culture and activism in the 1960s and 70s through his compassionate photos. Born in 1943 in the South Bronx, he moved to Los Angeles in 1965, searching for a lifestyle more amenable to his...
At Geary Contemporary, an exhibition pairing Lizzie Gill and Kristen Jensen, shows how nuanced, elegant and powerful the two-person format can be. At first glance, Jensen and Gill’s work have seemingly little in common. Jensen’s Warms (2021) sculptures are visually...
It's been 30 years since Martin Puryear's last solo exhibition in Los Angeles—an exciting place to contextualize Puryear's work considering the city's history of burgeoning sculptural practices, especially those relating to assemblage and minimalism. The show includes...