Mattea Perrotta abstracts figures and Jonathan Ryan abstracts architecture; their juxtaposition at The Landing educes the two painters' similar manners of distilling contemplative moods from their divergent subjects. Ryan's buildings frequently assume anthropomorphic...
While uneven in impact, Columbian-born, British-educated Daniel Silva’s exhibition, “WE ARE EXPERIENCING SOME TURBULENCE – PLEASE STOW AWAY YOUR ELECTRONIC DEVICES LHR | HND | BOG | LAX,” remains impressive for the evocative three-dimensional works that the artist has...
If a 1993 Chevrolet P30 step van found on Craigslist is not at the top of your gallery rounds list, think again. Gas Gallery, a mobile art space founded by curator Ceci Moss, has set up shop outside Night Gallery, The Pit, and most recently, BBQLA. Ceci found the van...
Last Saturday I attended "Silent Salute: Women Directors of Silent Film" at Small Green Door in East LA; the event was a tribute to female and LGBTQ directors of silent film, both historical and contemporary. The space is a creative studio by day and gallery by night....
Soft Power is a very timely musical about the uses and misuses of power, a profoundly ambitious satire in which noted playwright David Henry Hwang tries to explain the dismal results of the 2016 elections. Hwang is no shrinking violet when it comes to tough...
There is irony in donning a mass-produced item that ostensibly projects one's individuality via a saucy slogan coined by somebody else. Pippa Garner uses her art like a knife to cut straight to the revelatory heart of such prosaic absurdities. Under her satiric lens,...
Somewhere between the complex compositions of Cubism and Francis Bacon’s distorted imagery lies Nathaniel Mary Quinn’s distinct approach to portraiture. On view at M+B gallery, Quinn’s newest series looks to music as narrator. Aptly titled “Soundtrack,” the exhibition...
Where were you last Saturday night? Did you try to make it to the Hammer’s Made in L.A. reception? We heard a lot of people aborted their plans as the crowds were insane, and forget parking! Fortunately we arrived on the early side to attend the Director’s Reception...
Alexandra Carter's current show, "All gods are hot," is a maze of artworks so tightly packed that one can hardly turn around without colliding with translucent paintings adorning the walls and hanging from the ceiling at Radiant Space. Even so, cramped quarters seem...
A faint odor of incense wafts amidst turquoise and indigo walls at Visitor Welcome Center, an artist-run gallery that seems especially inviting now for its present installation, “Middle Voice,” a homey interior outfitted by Sarita Dougherty with fellow collaborators...
On Thursday, May 24, the Broad Museum was infiltrated by a coven of four Latinx she-monsters wearing wigs on their faces, jeans tossed around their shoulders, and topless fake-hair onesies. In the Broad’s foyer, they appeared in the midst of a luxuriously-dressed LA...
Chris Kraus made nine films between 1982 and 1995, each of which is on display at her solo exhibition, In Order to Pass at Chateau Shatto in downtown LA. Most are familiar with Kraus as the creator of I Love Dick, her feminist (?) epistolary novel about female desire...
Two shows at The Pit delineate visionary worlds of wacky flourish and dazzling variegation. "Venusian Weather," the title of Laurie Nye's show, suggests the second planet from the Sun as well as the Greco-Roman ideal of female beauty. The paintings therein reflect...
Like many modern women, Marilyn Minter has a complicated relationship with beauty. Both her personal feelings and her luminous artworks are fraught with contempt and desire for the beauty-industrial complex, and animated by attraction and repulsion for our society’s...
The color green has had many connotations throughout history: Pope Innocent III declared it the official Church color for the “ordinary time” between holy days; Frau Minne, the 12th Century German personification of courtly love, wore a green dress, and the color was...
A wide range of lively openings dotted the city this past weekend, including openings at Launch and KP Projects on La Brea, the closing of a terrific exhibition at Keystone Art Space, and the intensely beautiful "Carbon" at Fellows of Contemporary Art in Chinatown...
Eastern concepts meld with Western painting methods in Thai artist Kamol Tassananchalee's mystical abstractions currently on view at LA Artcore. This transnational painter, who maintains a studio in Chatsworth, received his MFA from Otis in 1977, was titled National...
The larger than life-size, amber toned image of the German artist Joseph Beuys appears to be marching out of the gallery, striding forward towards us. In a hand written note at his feet, La Rivoluzione Siamo Noi (1972) grandly decrees, “We are the revolution.” The...
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