ASK BABS: ETIQUETTE FOR ARTFUL LIVING
Dear Babs, Although I’ve long been an admirer of art, it occurred to me only recently, now that I have a meager disposable income, that I might start purchasing pieces of my own. But the prospect of starting my own collection is seriously intimidating. I recently...
FIELD REPORT: HONOLULU
In the future, it’s all Surf and no Turf. The issue of global warming and rising tides asks the question “What will we eat, as our food supply changes?” Four New York–based women artists have tackled the prospective dilemma in the pop-up gallery show “Flooded” in...
RECONNOITER
In celebration of Artillery’s inaugural Food Issue, caterer and collector Tom Peters has agreed to divulge several of his secret and most cherished recipes. He began both his profession and his passion in the early ’80s. Since then, he has amassed a clientele that...
COMICS: DEAD OR ALIVE
COLA 2018
It is always a thrill to see the Annual City of LA (COLA) exhibition at the Los Angeles Municipal Art Gallery (LAMAG). The exhibition is a celebration of a year-long unrestricted fellowship awarded by the Los Angeles Department of Cultural Affairs to a small group of...
Lauren Halsey
The aesthetics and content of we still here, there (2018), Lauren Halsey’s current installation at the Museum of Contemporary Art, Los Angeles, are deeply rooted in Afrofuturism—a cultural philosophy that merges magical realism, science fiction and technoculture to...
Eileen Cowin
Eileen Cowin’s work has been loosely categorized as mise-en-scène photography. But overall it is far more self-reflexive, deeply deconstructed and concerned with the relations of language to the apprehension and (re-)construction of reality. More recent work has...
iiu Susiraja
A vague yet piercing look of confrontational horror animates the face of a woman, zaftig and underdressed, with piercing blue eyes, an exaggerated frown, and the upswept hair and ruddy complexion of a latter-day Vermeer milkmaid. Because of art history, and especially...
Jesse Stecklow
What does it mean for the life of an artwork when it can be experienced in dramatically different contexts, as a constellation rather than a point on a map? What happens when the legibility of a work is radically challenged by a shift in viewing conditions; do those...
Mary Little
There’s a fabulous tabula-rasa quality present in “The Shape of Cloth.” Leveraging her experience as a masterful furniture designer, Irish-expat Mary Little presents eight existing unbleached canvas sculptures and a single site-specific piece for her exhibition at...
John O’Reilly
The intimate scale of John O’Reilly’s photomontages belies the broadly ranging ambition and scope of his concerns. The 40-year survey of his work at Zevitas Marcus reveals a consistency of approach spanning the entirety of O’Reilly’s production. The artist, whose work...
Alexandra Hedison
Windows often appear in art, sometimes as framing devices, sometimes as apertures to other worlds. In her new photographic series “The In Between,” Alexandra Hedison has come upon a way to do both, using ready-made vignettes. While exploring the streets of Paris, a...
Deborah Oropallo
“Dark Landscapes for a White House,” Deborah Oropallo’s solo exhibition at Catharine Clark, presents a moody, dysfunctional picture of contemporary society in nine large-scale works in photomontage, pigment print, and paint on paper, complemented by a quartet of...
Tomás Saraceno
Two short films in “Solar Rhythms” at Tanya Bonakdar open Tomás Saraceno‘s proposal for thermodynamic collaboration and remaking human relationships to the Earth. The first, taken during Saraceno’s ambitious, record-setting flight in White Sands, New Mexico with his...
ON OUR COVER
See our feature on Ry Rocklen and his Food Group project on page 30 in our July/August issue. Subscribe today!
CODE ORANGE July-August 2018 Winner & Finalists
Congratulations to our winner Jayme Odgers and our finalists. Jayme's photo is seen above and first in our photo gallery in the July/August 2018 online edition of Artillery. The following photographs are the finalists. Please see the info below on how to enter...
All Tomorrow’s Parties — Icons of Style in the age of disposable culture and personality fetish
I’m becoming accustomed to conversations changing overnight over the last year or two; and certainly the context of those conversations is being altered more or less continuously. Less expected is when the perceptions of a set of issues or phenomena of any variety –...