What happens when you are trapped inside your home with those you love? As the pandemic begins to wane, some artists are reflecting and exploring the dynamics and conditions of the confinement we experienced last year. Elizabeth McIntosh’s solo show “Family” at Tanya...
The "17th International architecture Exhibition of Venice" is one of the first international events opening in time of COVID-19. The open question that Hashim Sarkis, the artistic director of the current Biennale Architettura, articulates in his proposal seems to be a...
Lawrence Calver’s first US show at Simchowitz Gallery, “On the Off Chance,” is one of the most fascinating studies in material of any show in Los Angeles that I’ve had the chance to review. Calver is not a traditional fine artist; his background is in creative...
Two side-by-side paintings face the gallery's front door, awaiting visitors like sentries. They have all the elements that characterize Naotaka Hiro's "Armor" exhibition, namely colorful swatches and fervid mark-making that expands from a vertical center line. The...
Guy Yanai is irreplaceable. Not simply his vibrant, structured style (though that too is unique,) each of Yanai’s paintings carries an air of individuality and transience. Seeing them for the first time is a new wave crashing on the shore of your subconscious, dousing...
Takis is no exception. His sculptures necessitate a venue with high ceilings, and some level of separation as many of them flicker, vibrate, or spin. One sculpture consisting of two lime green and black half-spheres and an iron pole, Aeolian (1983), requires wind energy to operate, and thus can only be displayed outdoors. When exhibited together, these sculptures resemble parts of an eccentric assembly line, leaving viewers agape at their inventive mechanics. Takis uses a wide range of materials, as wires, poles, electric circuits, and electromagnets abound alongside lamps and found objects.
Outsider art is on display in full force in SoHo with a special exhibition hosted by the Outsider Art Fair and curated by Takashi Murakami. Focusing solely on sculpture, the exhibition brings together works by nearly 60 Outsider artists, a term that generally refers...
The radiant and complex paintings in Rebecca Campbell's exhibition “Infinite Density, Infinite Light” draw from the past, yet are very much about the present. They explore the nature of family, the freedom of being a child and the fragile nature of memory. Using found...
Art is a reflection of the artist. The culmination of personal experiences, years of study, and distinct perspectives that comprise their life emerge in their works. But none of us are infinitely unique – which is good, for if we were, we’d have no way to relate to...
Like Schrödinger’s cat, the figures populating the canvases of Italian painter Patrizio Di Massimo’s paintings exist in two potential states at once. In his newest exhibition, Close at Hand at François Ghebaly Gallery, time/space freezes in each of the five paintings...
Julie Curtiss has finally made her artistic debut in the UK with “Monads and Dyads” at White Cube Mason’s Yard. This is the Parisian-born, New York-based artist’s first exhibition in London, where she presents 29 artworks across the gallery’s two floors including new...
Emil Alzamora’s “Waymaker” is like journeying through a series of time warps. Cement, steel and wood figures loom in various states of decay like Greco-Roman relics in a museum. Yet a modern sensibility invites the sculptures into a surrealist dream conjuring a...
Los Angeles is coming back to life. That’s a sentiment that somehow simultaneously feels cliché and unexpected all at once. But just look around: concerts are being promoted, theaters are rescheduling shows, and bar hoppers are, once again, singing far too loud at far...
Hujar’s portraits reveal how closely linked the creative networks of NYC’s downtown scene were at the time. Backstage offers a glimpse of Hujar’s personal and professional relationships with prominent figures of the subculture. The main gallery features the portrait images of two queer icons, Divine and John Waters, more or less striking the same pose. Both of them lie down sideways, with their left arms supporting their heads. Divine is, of course, John Water’s number one actor, as the two have collaborated in numerous films including Pink Flamingos (1979) and Hairspray (1988). By replicating the same pose, the two friends diverge from the asymmetric power dynamics of director-muse relationships.
Maroon is unmoored, untethered, unhinged and completely undone by the weight of isolation, marooned as she is on an unnamed island somewhere in the South Pacific. Alone, she communes with phantoms that include the likes of Oscar Wilde, Salome, Kierkegaard and of...
If the uncanny valley had an interior decorator, their name would be Roland Reiss. The recently departed artist has a new exhibition at the Diane Rosenstein Gallery, featuring not only a host of recent works but also Reiss’ ground-breaking installation, The Castle of...
Cristian Castro’s latest exhibition, “Robotix: Intersections of Art and Technology,” features new work expanding on his practice repurposing vintage appliances and found objects. Each room is defined by different themes that pertain to the entire exhibition: beauty,...
From the outside, Trotter&Sholer’s current exhibition of works by Derek Weisberg might look like jarring Frankensteinian creations. With roughly hewn figural assemblages, mixed media collages, and fragmented bricolages of ceramic masks, the show reveals sensitive,...
Subscribe to our weekly Gallery Rounds Newsletter for new Reviews, Art opps, Art Events, & More every week!
