Known for her works made of laser-cut marquetry, Alison Elizabeth Taylor captivates viewers with her skill and close consideration of minute details. Combining the medium more commonly seen in decorative arts with painted wood and photographic prints, Taylor has...
The centuries-old practice of Kintsugi, a Japanese technique of mending broken pottery with gold, honors the flaws in the ceramic piece. The artist Jim Melchert, who taught English in Japan for four years, has long appreciated and employed that aesthetic. For more...
Congratulations to our winner Ceci Arana and our finalists. Ceci's photo is seen above and first in our photo gallery in the November/December online and print edition of Artillery. The following photographs are the finalists. Please see the info below on how...
Nothing really happens in Sun & Sea, an opera set during a time in which we may expect ‘things’ will more or less stop happening altogether; or in any case, when things only happen to us—excepting possibly those wealthy enough to have provided themselves...
Robin F. Williams’ latest solo show Out Lookers at P·P·O·W teeters between dream and nightmare. It’s unnerving and off-putting with witches, ghosts and trolls whose eyes burn like balls of fire. At the same time, it’s exciting, inviting and challenges us to embrace...
In his essay on photography entitled “The Decisive Moment,” Henri Cartier Bresson describes the intricacies of portraiture and the subject. He writes that the ideal portrait is a “true reflection of a person’s world – which is as much outside him as inside him.” We...
The two dozen or so paintings Bronx-based artist Tiffany Alfonseca made during a summer residency at the Mistake Room not only represent a kind of reimagined family photo album, but are intentionally rendered with fidelity to those source materials and their awkward...
Who is apologizing, and to whom? A large light installation on Victoria Square in Athens states: “We apologize for the discontent and stress that this may have caused you.” Who is included in—or excluded by—the ‘we’ and the ‘you’, respectively? What is ‘this’? Victoria is a heavily policed area, as it is home to many refugees, sex workers and substance users. It isn’t clear from the work itself if it’s apologizing to or for these populations, but the material consequence of the installation is an even heavier police presence in the area, resulting in increased harassment of the Square’s locals. On the official website for the artwork, a footnote reads: “Please accept our sincere apologies for any inconvenience that may arise from the presence of the installation in Victoria Square. We understand that even a small shift from our everyday itinerary and routine may be annoying…”. Brushing off increased policing as an “inconvenience” and a “small shift” demonstrates the disconnectedness of this supposedly socially engaged work of art, that’s based on research made “in collaboration with old and new residents from the Victoria Square neighborhood”. The piece is co-commissioned by Counterpoints Arts who, despite a focus on “arts, migration and cultural change,” evidently failed to recognize the threat that police violence poses to people within and beyond Victoria.
One thing Orson Welles understood about movie-making was that a great motion picture, like any great work of art, tapped into a sense of the magical. He also understood that the magic was not simply the final studio product, however released or presented...
The Korean Peninsula is a region rooted in duality. It is a land both literally and ideologically split down the middle, a lasting result of Cold War-era proxy wars, Western imperialist action, and an on-going brutal dictatorship. And even before the interventions...
Three vastly different solo exhibitions make up the current exhibition at Gabba Gallery. Vivid and dense color is the keystone of Judy Ostro’s abstract patterned work in Never Too Late. Both mosaic and kaleidoscope, Ostro draws the eye and keeps viewers unbalanced in...
Grief comes in countless forms. There are as many ways to feel the peculiar sensation of loss as there are things to lose. One can lose another, something external, and just the same – or just as differently –one can lose oneself. With bereavement, there is no wrong...
Fragments of paper, cardboard, wire and foil have all been carefully orchestrated into a space that seems to float seamlessly and coalesce into a compelling quasi-geometric composition in “Collages 1957–1982” by Louise Nevelson. On closer inspection, it becomes clear...
Fairytales operate in a special place of human consciousness. They offer the building blocks of moralism and societal standards, for better or worse. Though folk stories, myths and fairytales are found throughout every culture, there are many common elements: simple...
Soft White was a porn star in the 80s, and with all the money he made was finally able to buy a piece of land in the Adirondacks where he opened a rescue for abused Alpacas. He once thought about changing his name to Hard White, but the allure of the soft and fuzzy...
Though at first seeming to depict ordinary, even prudish interior domestic scenes, upon closer inspection Anne Buckwalter’s paintings reveal provocative signs of sex, eroticism and sensuality. In Clean Linens, her first solo show at Rachel Uffner Gallery, Buckwalter...
When it comes to exploring concepts of Zen Buddhism and contemporary art, artists have used Modern and Contemporary art approaches like Minimalism, video, and Expressionism to convey these ideas to the viewer. What about Realism? Ernie Marjoram in his solo show...
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