The ornate paintings depicted in Robert Ginder’s first solo show at Craig Krull Gallery induce nostalgia, especially for those Angelenos. Palm trees, long-standing businesses, bungalow-style homes, and points of attractions rise from their gold leaf-encrusted wooden...
Artillery is sad to report that Los Angeles Chef Tara Thomas passed away on August 11, 2022. Tara was an enthusiastic supporter and early adopter of the Los Angeles art magazine. “I consider Tara a friend,” said Editor-in-Chief Tulsa Kinney, “She was generous with her...
I’ve always enjoyed the playful and uninhibited spirit of summer group shows, unbridled by the circuits and agendas of the art market. Chirs Sharp’s exhibition, “A Minor Constellation”, perfectly exemplifies this kind of delightful candidness. The show features a...
Co-curated by Liz Gordon (of Loft at Liz's) and Monique Birault, the 15th iteration of Gordon’s ecologically driven “Diverted Destruction" is both exciting, and more visually spare than past exhibitions. Rather than filling the main gallery space with smaller pieces...
Let the disgust pour through me. Let it seethe. Let it sink in and settle. I wasn’t capable of doing anything more than lying on the sofa, stewing in bitterness and resentment. One likes to think that one’s work will be well-received by these commercial...
Artists Casey Kauffmann and John de Leon Martin have created a super-collage at Human Resources, Los Angeles. A messy collision of screens, drawings and passionfruit vines engulf the gallery space with the intention to bamboozle. The duet’s maximalist installation...
Cornelia Parker's landmark retrospective at Tate Britain journeys through her multimedia work to narrate a country willingly stuck in small-island-energy. Parker (b.1956) examines objects by considering how they change when their associated value is disrupted,...
Russian exile Lev Rukhin creates grand works of realism tinged with just enough peculiarity to suggest doubt. They are dreamlike—much of the imagery is suspended in a nimbus—and implies both memory and trickery. This device is quite intentional; the exhibition is...
The first iteration of Documenta, curated by Arnold Bode, took place in 1955. Since then, every five years for 100 days, Documenta occupies the city of Kassel, Germany. More often than not, it is an international showcase of current trends and ideas in contemporary...
Carole Caroompas, an artist and widely admired teacher whose work encompassed painting, drawing, collage, prints and performance, died on July 30, 2022. In 2007, Western Project, which represented Carole for many years, published a catalog in which various artists,...
The City of Namara is a fictitious place created by Robert G. Achtel. In the photographs that define this curious and digitally fabricated location, Achtel presents Namara as a place devoid of people and filled with modernist architecture. Each building is shot...
If the endpoint of a viewer's perception in art is to re-create something in the mind's eye through one's own experience of the artwork, then the work of art is demonstrative. It acts as a catalyst for the imaginative re-creation of something the artist is pointing at...
My early impressions of Claes Oldenburg and his work were shaped largely by mass media. I tended to think of his work in association with Pop artists like Warhol, Lichtenstein, and Rosenquist—though also artists like Allan Kaprow and to a lesser extent, George...
Having gone through a recent breakup, the theme of Sam Anderson's show, "Lunch Hour," felt all too familiar as the artist examines cyclical narratives of desire and disappointment. At first glance, the show at Tanya Leighton gallery feels like a departure for those...
The enchanting lure of a hole, the tender scuttle of a bug, the mysterious vibrations of the forest, the pungent bloom of a corpse flower, the mutability of our fleshy bodies in decay—these are things that have fascinated and bonded my years of friendship with Geena...
Dear Reader, My late husband was a historical biographer with four published books; three of them were written during our marriage. It was an eye-opener to live with someone who writes for a living. For one thing, it seemed like he did a lot of nothing. He would...
Figuratively speaking, this year’s Venice Biennale is a “Brick House;” a metaphor for what creative women are capable of achieving when given the opportunity. Cecilia Alemani, the first Italian female curator since the inaugural Biennale in 1895, has included a...
Congratulations to our winner Maureen Bond and our finalists, Maureen's photo is seen above and first in our photo gallery in the July/August 2022 online edition of Artillery. The following photographs are the finalists. Please see the info below on how to enter for...
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