Aaron Curry, Creator Creator, 2015, painted aluminum and stainless steel, 131 7/8 x 127 1/2 x 85 7/16", courtesy David Kordansky Gallery.
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James Welling: Choreograph – Regen Projects, through March 26th
It is impossible to do justice to a show of the scope, ambition and sheer beauty of James Welling’s current exhibition of recent work at Regen Projects in a single blog post. But it would be no less impossible and even irresponsible to let it go without some...
Billionaire Griffin Pays $500 Million for Two Paintings
Billionaire hedge funder Ken Griffin has bought two paintings, a de Kooning and a Jackson Pollock, for a total of $500 million, setting a new record for contemporary art. CNBC reported that music mogul David Geffen was the seller, and that the 1955 de Kooning,...
Jimi Gleason
Jimi Gleason’s newest body of work on view at William Turner Gallery almost seem like painterly mirrors reflecting the artist’s continued investigation into materiality and form. These large-scale paintings are brightly colored and luminously reflective, giving them...
David Kordansky: Evan Holloway
Charting a path through Evan Holloway's large floor-based sculptures at David Kordansky Gallery is like walking through a forest that has undergone a transformation into ever-lasting materials that are the antithesis of nature —bronze, steel, resin, plaster and...
Luis De Jesus: Josh Reames and José Lerma
In his latest exhibition at Luis De Jesus, Josh Reames has collaborated with long-time friend José Lerma, in situ, to produce two large-scale triptych paintings and sculpture.In the front gallery, two ambitious paintings extending the length of each wall, nearly floor...
Facebook sued for censoring nude painting
The Court of Appeal of Paris on Friday ruled that a case opened against Facebook for censoring a 19th-Century nude painting can be tried in France.The court rejected Facebook's argument that it is governed exclusively by Californian law, upholding a March 2015 lower...
“Let them eat cake and charge it please and thank you very much.” – Break Bread at Think Tank Gallery
We don’t ordinarily think of pastel colors as carrying the power or intensity of the deepest, most vibrant primaries, especially red; or for that matter a dense black or sharp black-and-white contrast. But pastels can have great associative and mnemonic power, in many...
Jessicka Addams
I’ve got to be honest. I’m a sucker for images of bloodied fingers and dead birds. Kind of an acquired taste I suppose, so Jessicka Addams newest exhibition entitled “Please Stop Loving Me,” struck a cord of familiarity, stirring an odd reprisal of grief, and...
Commonwealth & Council: Kang Seung Lee
In his new project at Commonwealth & Council, “and Child,” Kang Seung Lee plunges deeper into his interest in rules and systems and branching investigation of the power structures of the art world with an analysis of the intersections of aesthetic and financial...
Reserve Ames: David Muenzer
For his solo show at Reserve Ames, “Scalar-Daemon,” David Muenzer froze ingot molds filled with neon highlighter ink in an industrial freezer. He then stacked the frozen ingots on top of a platform placed in RA’s bucolic backyard shed. The platform has three recessed...
Red
The South Coast Repertory Theater’s production of Red, John Logan’s Tony Award winning play about abstract expressionist painter Mark Rothko, which opened in Costa Mesa on January 22, is directed by SCR’s Founding Artistic Director David Emmes and stars Angeleno Mark...
Bettina Hubby
Bettina Hubby displays a raucous sense of humor in her second solo show aptly titled "The Sexual Bronze Show" at Klowden Mann. Mining a territory that expounds on the sexual pun, Hubby identifies objects from the grocery store that in some way compliment one another...
Von Lintel Gallery: Farrah Karapetian
For her second exhibition with Von Lintel Gallery, Farrah Karapetian has produced a thoughtful new series comprising 12 large-scale Chromogenic photograms. The show’s title, “Relief,” is a direct reference to the perilous flight of the refugee at sea while other...
CB1 Gallery: Paul Donald
Our distance from the object of desire is always measured. In Paul Donald’s new work, “Endymion Project,” the measuring is done with great nuance in his rethinking of the relationship between desire, power and the white male subject. The artist has literally and...
Chainlink Gallery/Los AngelesGedvile Grace Bunikyte
In her solo exhibit at Chainlink Gallery, Lithuanian artist Gedvile Grace Bunikyte demonstrates how the dichotomy between simple shapes and complexity of mind is one of the most compelling spaces in which to create. Her work, which consists largely of drawings and...
Algunas cosas se mueven, otras no (Some Things Move, Others Don’t)
Various Small Fairs – Art Los Angeles Contemporary, 2016
I think we can all agree that there are too many art fairs. We could almost stretch that to say there are too many fairs, period. We generate too many products – most of them of an astonishingly brief life-span, and worth still less of anyone’s attention; and consume...
