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John Kilduff: Kilduff’s Cavern
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Amy Park
New York-based artist Amy Park, in her second solo show at Kopeikin Gallery has reproduced, in intimate and gorgeously rendered watercolors, Ed Ruscha's 1966 seminal book project “Every Building On The Sunset Strip.” This is no easy task to be sure, and Park nails...
Upending Absurdity
When the Long Beach City College Art Gallery invited Cheri Gaulke to show “Peep Totter Fly” alongside Michael Arata’s “Texas Style Beauty Contest—Miss M,” she initially recoiled. “I wasn’t quite sure where he was coming from,” she remarked in regard to Arata’s...
Disappearing in Public (and Private): Ramiro Gomez’s On Melrose and Domestic Scenes
While much of the focus on Ramiro Gomez’s new show at Charlie James Gallery, and Gomez’s work generally, has been on labor – as subject and focal point; as a device re-framing public discourse around the subject; as the un- or under-addressed component of its surround...
Disappearing In Public (and Private): Ramiro Gomez’s On Melrose and Domestic Scenes
While much of the focus on Ramiro Gomez’s new show at Charlie James Gallery, and Gomez’s work generally, has been on labor – as subject and focal point; as a device re-framing public discourse around the subject; as the un- or under-addressed component of its surround...
Kilduff’s Cavern at Daniel Rolnik Gallery
A buck naked Michelan Man, radioactive chicken heads, a dinosaur dog and a blob of liquid fat attacking a gallery full of art hung on yellow, pink AND green walls. Sound like a really intense acid trip? Nope. Just a party at Daniel Rolnik Gallery. This Saturday night...
Chimento Contemporary: Laura London
Like fairy tales about to reach sinister climaxes, Laura London's new photographs present spuriously romanticized views of female youth. Each portrait's idealized setup is tempered by a portentous feeling that something is amiss.The show's title, "Relocation,"...
Julian Schnabel returns to Pace Gallery
Painter and filmmaker Julian Schnabel is returning to Arne Glimcher’s Pace after 13 years with the Gagosian Gallery. Pace had repped Schnabel from 1984 to 2003.Schnabel said “I wanted to have a more human relationship with the person . . . representing my work.”...
Diane Arbus
M + B: Whitney Hubbs
Whitney Hubbs’s "Body Doubles" presents the artist's first attempts at color photography after a decade of working in black and white. Eleven midsize photographs feature anonymous women intermingling with provisional sets and props. These cropped and fractured limbs...
TRI (…ed) Revisting TRI Gallery
Artist Rory Devine has organized a perfectly exquisite gem of a show at Wilding Cran Gallery. One that revisits—with much celebratory aplomb—the artists who once exhibited at the fabled TRI Gallery back in the 1990s. Though disparate, thankfully the artists featured...
Frieze Fair Highlights 2016
With a high of only 50 degrees and a slow misting rain, this year’s Frieze New York art fair on Randall's Island could have been renamed Freeze, but that didn’t seem to stop the throngs of attendees on preview day. For this melting pot of a fair, half the galleries in...
Samuel Freeman: Mineo Mizuno
For Mineo Mizuno’s 2015 exhibition “Current,” the artist presented a body of work that marked a definitive shift in his practice. Unlike his earlier works which feature bold and brilliant glazes, the pieces he made for last year’s show included a selection of unglazed...
Culver City Early Bird Special
Showing up to gallery openings in Culver City promptly at 6 p.m. looks a lot like stumbling on the early bird special at your local Denny’s. It’s a quiet scene mostly made up of graying hair and Keds for comfort. This is the OG La Cienega crowd and they’re probably...
Audrey Wollen’s Feminist Instagram World
One of Los Angeles–based artist Audrey Wollen’s Instagram posts features an undated 1890s painting in which a nude woman reclines, examining herself in a mirror she is holding up to her face. Red beads are wrapped around the woman’s neck and ankle, bringing to mind...
Todd Gray’s Framing of Identity
“I’ve been going the wrong way for a long time … it’s sort of a reverse commute.” This is said by Todd Gray at the start of his 2010 performance, Caliban in the Mirror. This seemingly autobiographical, storytelling piece has Gray on stage with a few props—a camera, a...
The Science of Seeing
Two hundred years ago, the hierarchy of subjects taught to academic painters placed history and mythology at the top, with landscape and still life at the bottom. This ranking followed the scala naturae, the ladder or scale of nature derived from Plato: God, followed...
The Analog Revolution
The first to grow up in an image-centric world where the mass-dissemination of images via film, print and television started to infiltrate American culture on scales never before seen, those of the Pictures Generation found themselves grappling with notions concerning...
