Agnes Martin, the great Abstract Expressionist painter (1912–2004), believed in cosmic connection. She labored over her famous grid paintings almost her entire professional life, except for a difficult break from 1968 until the early 1970s, and in them she strove to...
The Craft and Folk Art Museum—its unlikely frontage peering mischievously over Museum Row—has in the last few years come to the forefront of the LA art scene with its unpredictable exhibitions. Executive Director Suzanne Isken and her exhibition team (Holly Jerger,...
A SIMPLE LIST1. It’s simple really, to paint is to trust. To believe in our instincts; to become.2. Painting is an investigation of being.3. It is not the job of art to mirror. Images reflected in a mirror appear to us in reverse. An artist’s responsibility is...
The mighty Atlas Press—London-based purveyors of “pataphysical texts,” Dada documents, Viennese Aktionist manifestos, and Oulipo anthologies—has reissued a legendary art book that uses a tabletop cluttered with the detritus of daily life as a jumping-off point and...
BERGAMOT STATIONFor Real... and it's LouderLos Angeles adds to very necessary public transportation with seven additional stops on the Expo Line, with runs from downtown LA clear out to Santa Monica. Yes, there are complaints that the train is slow and can take up to...
There was a recent article about the waning attendance at churches that featured a striking drop quote from a lad who went to a Catholic church for the first time. The only reference point he had for all of the standing up, sitting down, repeating or responding to the...
Aram Moshayedi is a curator at the Hammer Museum. He organized “Made in L.A. 2016” with Hamza Walker, Director of Education and Associate Curator, Renaissance Society.ARTILLERY: What is your area of curating at the Hammer? Moshayedi: There are no distinct areas of...
A DAY AT THE MUSEUMDear Babs, I would like to know if the Los Angeles County Museum of Art has turned into an elitist institution with exhibits only to be viewed if you have the money? Recently, for my birthday I wanted to visit LACMA to see the Mapplethorpe show,...
Have you ever been in someone’s home and seen a painting in the living room or hallway that you have never forgotten? It is not a famous painting, not even an impressive painting, but somehow it sticks with you. You don’t understand why you can’t forget it, but you...
The international group of artists in “Beyond 2°” question the multidimensional impact of natural resource exploitation, in distinct cases, in different global locations, and in damning portraits of corporate gain at the cost of human rights and the environment. The...
Marilyn Minter’s is an art of amplification. This befits a painter and sometime photographer who came of age in New York in the 1970s; her frames of reference are feminism, the AIDS epidemic, photorealism and the Pictures Generation, equally. Minter’s work of the last...
Vestiges of the past can be found all over the West; dead and dying towns are replete with inklings of historic spirit in the forms of half-buried artifacts, wild animals and deserted buildings. Entering Catherine Fairbanks’ exhibition,” Two Chimneys” evoked the...
Carmen Argote is a Los Angeles-based multimedia artist who works directly in response to particular locations. Last year, she created a site- specific installation at the MAK Center where she traced the interior and exterior footprint of the Schindler house using...
With an observer’s detachment in the face of dire predictions of humanity’s demise from the rapidly developing field of artificial intelligence (AI), in “The Earth is Flat,” James Georgopoulos lifts from a trove of pop culture imagery adapted from film and other...
Joseph Heidecker’s collection of embroidered photographs at Craig Krull Gallery is a celebration of textile fauvism. The altered vintage photographs elicit a dissonant response, with subjects’ faces veiled in thread in an almost painterly manner that is reminiscent of...
Perhaps it is a bit cliché to read Julie Beaufils’ French nationality into her work, but there is certainly something undeniably chic, irreverent and casually erotic about her work. Her new paintings and drawings at Overduin & Co. filter desire through cool...
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