Gallery Rounds

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Nicodim Gallery:

Simphiwe Ndzube

“Bhabharosi,” the title of Simphiwe Ndzube’s show and several works therein, is a neologism the artist coined from the words ...
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KP Projects:

Scott Hove

Known for his immersive cake-like installations, Scott Hove’s latest makings offer wry commentary upon the demise of today’s political, economic, ...
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Fowler Museum at UCLA:

Fran Siegel

There are two points of entry into Fran Siegel’s exquisite exhibition, “Lineage Through Landscape: Tracing Egun in Brazil.” One is purely ...
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William Turner Gallery:

Peter Lodato and Eric Johnson

We are accustomed to sight as an experience of things coming into clearer focus the longer we look at them ...
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Ibid Gallery – Los Angeles:

Timo Fahler

With three distinct exhibition spaces within its massive Boyle Heights gallery, Ibid Gallery has reserved its smallest space, a jewel ...
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Walter Maciel Gallery:

Andy Kolar

Abstract but character-driven, tertiary and bright, super flat and deeply funny, the paintings and sculptural installations in Andy Kolar’s “Easy ...
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Hauser & Wirth, Los Angeles:

Monika Sosnowska

Alluding to the postmodern architecture of her Polish homeland, Monika Sosnowska’s first solo show at Hauser & Wirth Los Angeles ...
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Pasadena Museum of California Art:

Interstitial

Collectively, the works that make up “Interstitial,” now on view at the Pasadena Museum of California Art, read like the ...
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LACMA:

Alejandro G. Iñárritu: CARNE y ARENA

Only one visitor enters Alejandro Iñárritu’s installation CARNE y ARENA at a time. If you’re lucky enough to get a ...
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Sprüth Magers:

Analia Saban

The strategic manipulation and disorientation of material: concrete, paper, ink, and fiber, link the four distinct series displayed in Analia ...
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Shoshana Wayne Gallery:

Sabrina Gschwandtner

Sabrina Gschwandtner’s second solo exhibition at Shoshana Wayne Gallery continues her exploration into intricate quilting motifs, expanding on her already ...
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Edward Cella:

Vernacular Environments, Part 1

Exploring the dialectic relationship between environments—both built and natural—and the figures that occupy those spaces, “Vernacular Environments, Part 1” brings ...
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