Amir Zaki's exhibition 'On Being Here' presents hyper-real, large-scale color photographs of piers in Southern California. In each image, Zaki divides the composition into two sections, juxtaposing a view on the pier looking towards the ocean with another from the...
At the ICA Los Angeles, curators Marcelle Joseph and Legacy Russell have assembled 25 artists whose practices engage with the construction of identity and the self as subject –or, as Judith Butler puts it, The Condition of Being Addressable. This international and...
Kristopher Raos’ "No Escaping the Housework" is an eye-popping splash of vibrant color. His bold works are highly refined pop art which depict the packaging for a variety of different cleaning products. Technically untitled, each piece indicates a “product” name and...
A grotesque feeling of excitement and misery shivers through me whenever I encounter Mika Rottenberg’s work. Her stories of monstrous mechanisms of hypercapitalism are infused with a queasy comedy that reminds me of Julia Kristeva’s “laughter of the apocalypse”...
A pair of exhibitions each in their own manner engage with formula and intuition. In Portraits: Invented Subjects and Divergent Styles, 90 works (all acrylic on paper, 30 x 22 inches, 2015-22) by Nathan Redwood form a tight procession flanking the walls in grids and...
Lethal Amounts in Downtown LA is well known in the underground scene for being a venue which supports alternative music and outsider artists. This unconventional venue is the locale for Emma Ruth Rundle’s first solo show entitled Dowsing Voice. Rundle is originally...
Octavia E. Butler's speculative fictional imagining of Los Angeles seems to inch closer and closer to nonfiction as our apocalyptic reality grows louder and hotter by the day. At REDCAT, the exhibition of new work by American Artist shows how Butler’s words are so...
Cold sheets of perforated metal gnaw quietly at severed plaster limbs inside Matthew Brown’s La Brea gallery. Despite the unsettling horrors this description might conjure, Jeffrey Meris’ exhibition, "be ever wonderful," is deceptively healing and hopeful. A series...
The tradition of organic and biomorphic form sculpture is one of the most singularly important in modern and contemporary art. Stretching all the way back to the undulating serpentine forms of the Läocoon, the tradition really took off in the early 20th century in the...
Every so often I make it a point to see plays that I’ve seen before – plays I thought terrific or felt could have been done better. In the latter case, when the play is done better, it’s an especial joy. This is the case with the current Sierra Madre Playhouse...
As my feet touch the terrain of compact, glittering soil that covers the floor of the Hammer Projects space, it feels as if I’m stepping into another realm, another planet even. Kiyan Williams’ solo exhibition, "Between Starshine and Clay," curated by Erin...
The creation of Black superheroes in Marvel Comics during the Silver Age (comics published from 1956–1970) and Bronze Age (comics published from 1970–1984) has consistently been the exception and not the rule. There was Black Panther (1966), Blade (1973) and Monica...
Fawn Rogers' exhibition "Your Perfect Plastic Heart" at Wilding Cran Gallery presents a series of paintings depicting oysters and their gooey erotic membranes. At first glance, these works struck me as a cross between Marylin Minter and Chloe Wise–glittery...
Three fine solo shows of paintings offer personal perspectives as unique as the artists who created them: Laura Krifka, Evita Tezeno, and Nancy Evans. Krifka’s “Still Point,” is a beautiful tribute to light, the human body, and the human heart. With domestic settings...
Vibrant matter dances and pulsates in vortical pools and currents. Artist Kevin Beasley petrifies matter in states of motion, submerging and emerging materials form dynamic topographies that embody personal and collective histories and significations. I remember my...
Mark Dion is best known for his conceptual artworks that riff on traditional historical or scientific presentations. He begins by collecting objects and researching a specific subject or locale, then merges his findings into evocative artworks that have an air of...
Deborah Roberts’ mixed-media works propose new ways to depict Black children. Her figures dominate an otherwise blank canvas (sometimes white, sometimes black) either filling most of the frame or resonating against the negative space. Rather than contextualize them in...
Colorful, peculiar and static, Arlene Shechet’s freestanding sculptures possess an animation. They cant and list in space, tilting precariously as if ready to tumble. On a plinth or platform, they are eccentrically placed, rarely centered. The spatial lilting is seen...
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