[Part I of this post appeared yesterday, following the preceding evening’s Third Los Angeles forum at Occidental College. I continue where I left off – as LACMA’s Director, Michael Govan left the stage to the evening’s host, the forum’s principal organizer, and Los...
Officials probe worker’s death at Gagosian’s $70 million NYC mansion
Page Six An employee of Koenig Iron Works died following a fall at Larry Gagosian’s UES mansion while completing a gut renovation. . . . READ MORE
From Blob to Blot – A Debate Over the New LACMA
And so the Govan/Zumthor/LACMA PR juggernaut thunders on, steamrolling over those skeptical eyes looking over their shoulders from near and far, critics and other local scolds (and possibly its immediate neighbors), to say nothing of its own Board of Trustees, the...
Diane Christiansen
Diane Christiansen makes images much like great poets make poems, slowly and with tremendous tenderness and care. Works like the intrepid and vaguely menacing Secret Obstacles, or the strangely whimsical Enough Space in the Head to Breathe, seem to reference luminous...
A Class of One: Me and Eloise
By the time I had discovered Eloise (there is only one, you know), I was already well on my way to becoming Eloise – if I wasn’t already. By that time, I had already begun moving away from children’s books and into actual literature. My older brother had already...
Cry the Occupied Country – Figaro’s Dance and A Countess’s Lament
Do you ever wonder what happened to the Occupy moment? We can’t really call it a movement because it had no coherent program, plan or organization, no well defined or articulated policy (or revolutionary) objectives; and its only concrete target was a somewhat...
Jerrin Wagstaff
All good homes should contain great art, or at least that is what David Stone, owner and director of Another Year in LA, would have us believe. The gallery is a home and the home is a gallery and Jerrin Wagstaff’s elegantly engaging paintings of mostly abstracted...
Wunderkammer at Pitzer College Art Galleries
For many centuries, the wunderkammer model of organizing collections of art and objects of curiosity was de rigueur. The earliest wunderkammer, or cabinets of curiosity, were the private collections of wealthy Europeans, including Rudolf II, Holy Roman Emperor, Ole...
Turning Art Upside Down
Prestidigitator, composer, engineer and conceptual artist Nahum hails from Mexico City, has lived in London for many years after a degree from Goldsmith’s College, but really, he belongs anywhere. Recently he and eight other Mexican artists, along with a Mexican...
Aaron Johnson
Ornately grotesque, Aaron Johnson's paintings, on display at Stux & Haller Gallery, are vibrant, densely packed expositions on sex and death. According to Johnson the effect he’s after is the erotic intensity of two bodies merging together and two individual...
Claudia Parducci and Melinda Gibson
Claudia Parducci currently has three stunning paintings up at Sloan Projects at Bergamot Station, paintings that straddle the chasm between landscape and psychological terrain, works that are as much about evacuation as they are about prescience. Works like Doomed...
Cole Case
Cole Case is a gem of an artist who, in his most recent exhibition at Western Project, has demonstrated tremendous sensitivity of the finer elements of life. He is a master of seeing – dead birds, Iberian hounds with pink legs, the variegated lines and shadows that...
Manifest Destination: Gabriel Kahane’s The Ambassador
Having followed Gabriel Kahane’s songwriting career for some time, I was primed for a terrific show this past Saturday evening at UCLA’s Freud Playhouse. Kahane has the dual gift of an innate musical talent and extraordinary musicianship wedded to a peerless gift for...
Editor’s Letter
Dear Readers Our paint-themed issue just makes me want to paint. I figure that’s a good thing. As a former serious painter, I get wistful for the days when I was alone in the studio for hours with pigment, medium and turpentine—especially when I see a good painting...
The Bold Standard
IN THE BEGINNINGThere is something about abstraction. The concept of the non-pictorial, non-mimistic image is unique in art, and in the world. Sometimes it seems to me that there is abstract art, and then there is everything else. This is what Ad Reinhardt meant when...
James Hayward: Maker’s Mark
Los Angeles painter James Hayward taught a USC graduate seminar in 1987. That was my introduction to him. He wasn’t much of a teacher, but he sure was a talker. He sat in a chair front and center in the classroom with his legs stretched wide open. When he would get...
Space Invasion
Think about the differences between the long-standing practices of painting and sculpture, and clichés persist: Painting is “flat,” sculpture is not; paintings go on a wall, sculptures do not. In contemporary art these separate paths often intersect; some notable...
Analia Saban
An acknowledgment of tradition coupled with a refusal to conform to established conventions makes Analia Saban an artist not easily categorized. Her work flows seamlessly across genre, concept and medium.A native of Argentina, Saban recalls arriving in California...