Water flows ceaselessly through the arteries of Robert Gober's solitary faucet, as if it were a trickling monument to the Sisyphean impossibility of cleanliness. Originally made in response to the AIDS crisis, Gober's handcrafted sink is recontextualized in the age of...
Stanley Whitney’s first major solo exhibition in Los Angeles, "How Black is That Blue," reads like poetry. Utilizing his consistent style of painting “top to bottom,” Whitney’s colorful square works reveal several paintings within each piece. Favoring the...
Paul Sietsema's works have an aesthetic and intellectual dimensionality and the path through his exhibition is an invitation to put together the pieces of a sophisticated puzzle that juxtaposes the digital and the handmade with a semi-nostalgic nod toward objects from...
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