The plaintive title of Llyn Foulkes’ current exhibition – his first for Sprüth Magers – suggests we might be in for some mournful, if not downright bitter, riffs on laboriously trodden themes. This is not necessarily a drastic departure from the surreal dissonance of...
I’ve been warned that Llyn Foulkes is preparing furiously for “Documenta 13” and as I get in touch to arrange a meeting, I’m wary, in part, due to his reputation for fractious soliloquies regarding fellow artists, critics, art magazines, and in general, the art world...
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