Get ready for the big 2022 Fall art season. This is traditionally the biggest show of any other time in the art world where most galleries put their best foot forward with their September and October exhibitions. We’ve selected a few highlights coming...
Lonnie Holley Visits LA One of the best gallery shows this year was the self-taught artist Lonnie Holley’s solo show at Blum & Poe, and one of the hottest tickets was a recent Saturday afternoon talk between Holley and Jane Fonda. That may seem an odd pairing, but...
Co-curated by Liz Gordon (of Loft at Liz's) and Monique Birault, the 15th iteration of Gordon’s ecologically driven “Diverted Destruction" is both exciting, and more visually spare than past exhibitions. Rather than filling the main gallery space with smaller pieces...
Russian exile Lev Rukhin creates grand works of realism tinged with just enough peculiarity to suggest doubt. They are dreamlike—much of the imagery is suspended in a nimbus—and implies both memory and trickery. This device is quite intentional; the exhibition is...
The City of Namara is a fictitious place created by Robert G. Achtel. In the photographs that define this curious and digitally fabricated location, Achtel presents Namara as a place devoid of people and filled with modernist architecture. Each building is shot...
The Cheech Is Here While many museums are opening exhibitions long delayed by COVID, one is unveiling a completely renovated building with a new focus. That would be the Cheech Marin Center for Chicano Art & Culture, or The Cheech, in Riverside. Part of the...
New York, New York! The art market is back, and here in SoCal we’re seeing it with a slew of New York galleries moving in. Pace’s “mergence” with Kayne Griffin is official, and I hear the new signage now bears the Pace name. Sean Kelly gallery is occupying a...
Highly prescient, somehow whimsical, Sandow Birk’s exhibition “Los Angeles and Her Surroundings” explores what can only be described as late-stage capitalism in Southern California. In 40 drawings that have whiffs of nostalgia, environmental and architectural...
Frieze 2022 The art fairs have returned, and with such a burst of optimistic energy! Maybe they’re signaling the lifting of the curse of COVID—or our fervent hope for its end. And maybe artists, during all the imposed quarantines and self-isolations, have devoted...
Enlivened by the energy of Frieze Week LA, I went to The KNOW Contemporary to view curators Knowledge Bennett and Charles Moore’s group exhibition, “BLACK.” To my surprise, I’d stumbled into the installation’s culminating event, a panel discussion with its artists and...
We are supposed to wish upon them when we see them fall. But however sentimentalized shooting stars may be, they are merely rocky debris skimming the atmosphere — all their mythology is manufactured by those of us watching in awe from our Earthly confines. In the five...
Jonas Wood’s highly patterned and flattened paintings take up all four gallery rooms at David Kordansky Gallery. Evoking the decorative arts, their inherently “attractive” quality reminds one of a painted mosaic. Wood created this affect by using deliberate linear...
Deceptively clean, simple, and filled with Southern California light, Ed Templeton’s new exhibition “The Spring Cycle” explores life in a suburban Southern California beach. And it has a deeper context: a critique of the banal isolation that often permeates suburbia....
Be careful not to break a mirror, or it’s seven years of bad luck. Don’t hang a horseshoe upside down unless you want the luck it holds to trickle out the ends. Step on a crack, break your mama’s back. Though they are most often recalled trivially and half-jokingly,...
Ross Bleckner’s first solo show in 25 years, “Sehnsucht” at Vielmetter Los Angeles, is a haunting meditation on longing and the cerebral process of lamenting. The 15 new pieces (created from 2019 to 2021) are fleeting in nature, chilling and deep. Mostly large in...
In "Another Land" at Luis De Jesus Los Angeles, Ken Gonzales-Day invites viewers to face the ugliest parts of ourselves and our nation’s history: its legacy of racialized violence. This latest series of drawings is informed by Gonzales-Day’s extensive research into...
Jane Margarette’s otherworldly sculptures and installations mine the tensions between the rough and the sensual, the realistic and the fantastical, the mechanical and the organic. In her exhibition at Anat Ebgi, A Honey of a Tangle, Margarette has created a suite of...
Upon entering the stunning new group show at Night Gallery, one of my first thoughts was: Why is it called Shrubs? A shrub conjured in my mind a certain nondescript, low-growing bush — nothing memorable and certainly nothing to write home about. But after walking...
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