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Tag: gallery representation
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ASK BABS
Jack of Not All TradesDear Babs,
One of my greatest music heroes recently started painting. So when a local gallery showed his art in a pop-up show, I was excited to go. But his paintings are really not good. He’s had a very long career as a musician and always puts a ton of effort into his music and it shows. But his paintings look like what they are: indulgent play by someone who hasn’t done the work to understand what they are doing. The problem is that now when I listen to his music, all I can think about are his paintings, and it’s starting to spoil the experience. I guess my question is, are there any examples of famous musicians who eventually became excellent painters? Is there hope for my hero’s paintings?
—Frustrated Fan
Dear Frustrated Fan,
Of course, it’s possible for your hero to make better paintings, but his visual art probably won’t surpass the impact and importance of his music. Becoming an innovative and important artist (musician or painter) takes time and dedication, at least if you want your work to mean something more than name recognition. It’s unfortunate but predictable that galleries are eager to capitalize on his fame to make a quick buck, with little serious investment in ensuring the work can withstand critical scrutiny.
There are few famous artists who are equally well-known for their music AND their visual art. Kim Gordon from Sonic Youth is a good example; she’s just a good artist in general and her visual art is as exploratory as her music. It’s the same with Yoko Ono, but she’s not really a painter. Miles Davis made some inspired paintings and drawings that could hold their own in most galleries today. Joni Mitchell can draw as lyrically as she can sing. What all these musicians/artists have in common is they had to work on their craft, try, fail and try again—and hold their visual work to the same standards as their music. That is a very rare ability indeed. It would actually be surprising if your hero was one of the few who could pull it off
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ASK BABS
Re-Entering the Art WorldDear Babs,
What advice might you give to an older artist who would like to return to making art after a two-decade hiatus? I experienced a dead-end art career in my mid-40s, showing in copious group shows and occasional college gallery solo shows. I want to return to making art, but I am terrified about re-entering the art world and that no-man’s land where I seemed to have been stuck with no gallery representation.
—Over-the-hill career artist
Dear Over The Hill,
The bad news is that breaking out of that old exhibition cycle is still hard. As you probably know, it’s extremely unlikely for any artist to get the kind of gallery representation you desire. But the good news is you don’t need to keep chasing the expectations from your past life.
A few hundred years ago, the people we call “modern artists” escaped the Academy—where success depended on one’s ability to appease a conservative system of gatekeepers—by embracing new venues for exhibiting, selling and talking about art. The art world of 20 years ago seems ancient as well, given it was defined almost entirely by in-person connections, analog technologies and outdated notions of what it meant to be successful. In 2022 there are many ways to succeed as an artist in many art worlds that don’t necessitate gallery representation. These days you can make your art, put it online and immediately have a larger global audience willing to look at, respond to, and buy your work than ever before. Nothing is guaranteed, but you have better chances at sustaining your art practice now than you did two decades ago.
Sure, you might not get the acclaim you were conditioned to want back in the day, but why should you care? Your job now is to get your art into the lives of people who want and need it. If you need a gallery to do that, then so be it, but don’t wait for them to find you. Just make your art and get it in front of as many eyeballs as possible. I’d love an update from you in the next year or so. I’m sure you’ll surprise yourself and all of us in the process.