PRINT EXCLUSIVE
PRINT EXCLUSIVE
There was a spectre haunting the Frieze Los Angeles Art fair—the spectre of the grandmother’s attic. Musty copper and seashells, old gold and furniture brown, sequins and feathers, paintings and sculpture not literally from an antique store but clearly informed by...
Hello, Good-Bye: New Year for Hammer Museum Was 2022 a blur? It feels like it went by very quickly, too quickly, as we transitioned into the New Normal. People have returned to indoor dining, theaters are open and museums and art fairs are back—though some museums...
OCMA Redefined with its New Space What a roller coaster we’ve been on these last three years.Hard to believe how the world shut down in March 2020, and now California’s Governor Gavin Newsom announces that our State of Emergency will be over next Feb. 28. The museums...
Frieze 2022 The art fairs have returned, and with such a burst of optimistic energy! Maybe they’re signaling the lifting of the curse of COVID—or our fervent hope for its end. And maybe artists, during all the imposed quarantines and self-isolations, have devoted...
Enlivened by the energy of Frieze Week LA, I went to The KNOW Contemporary to view curators Knowledge Bennett and Charles Moore’s group exhibition, “BLACK.” To my surprise, I’d stumbled into the installation’s culminating event, a panel discussion with its artists and...
On a Roll LA artist Sandy Rodriguez is having a very good year—her work is currently in a solo show, “Sandy Rodriguez in Isolation” (through April 17), at the Amon Carter Museum of American Art in Fort Worth, TX, plus she’s part of two major exhibitions in the LA...
Inspiration must have been in short supply the day in 2012 that Sue Williams started Dallas, her painting featured at this year’s Frieze art fair. Like most artists, Williams undoubtedly set out to create something unique, a painting for the ages, as masterpieces are...
Subscribe to our weekly Gallery Rounds Newsletter for new Reviews, Art opps, Art Events, & More every week!