At the center of “Dew Point,” the current exhibition at François Ghebaly, hangs artist Lily Clark’s Inyo (2025), a sculpture of much poetry and power. Clark suspends a large hunk of alabaster from the rafters where water drips from the rock, filling up a steel basin...
Breathless is not always an indication of on-coming medical crisis or pathology. Events (including cultural events) can stop us short or knock the wind out of us. And although the experience may be more common at live music events, it happens in galleries and museums,...
Let me start by just getting a few things off my 28AA chest. I didn’t make it to ANY of the satellite Frieze Projects and am particularly upset about missing at least two of them—specifically Kelly Akashi’s project, Heirloom at the Villa Aurora (last week’s Pick of...
A series of diaphanous shelves hover with a brooding, eerie sense of stillness that charms and terrifies. Patrick Jackson's exhibition “Liquid Clay” presents two separate but related sculpture-based installations. Occupying most of the gallery space is a series of...
There has never been a year in Los Angeles—certainly not in this century, more probably the last 30 years—when our artists haven’t delivered something surprising, extraordinary, something to change the way we talk and think about and look at the world. This year was...
A series of precious objects rendered in oil paint requires your intimate proximity. Tiny tactile paintings of levitating furs, beaded coin purses, costume jewelry and sequin fabrics depict trompe-l'oeil images of feminine objects commonly associated with glam,...
Like Schrödinger’s cat, the figures populating the canvases of Italian painter Patrizio Di Massimo’s paintings exist in two potential states at once. In his newest exhibition, Close at Hand at François Ghebaly Gallery, time/space freezes in each of the five paintings...
The L.A. art industry never rests (as if awol ever needed proof of that!); but tradition dies hard, and art galleries and museums break out the new season alongside other arts and cultural venues. Matthew Barney had already screened his not-so-new (2014 – and six...
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