Michael E. Smith’s unassuming, poetic sculptures are late capitalist Zen koans: riddles with no answer but which nevertheless spark a moment of satori. For instance, a milk carton covered in mirrors seems to suggest that we are all the lost children. But is this a...
Breathless is not always an indication of on-coming medical crisis or pathology. Events (including cultural events) can stop us short or knock the wind out of us. And although the experience may be more common at live music events, it happens in galleries and museums,...
Let me start by just getting a few things off my 28AA chest. I didn’t make it to ANY of the satellite Frieze Projects and am particularly upset about missing at least two of them—specifically Kelly Akashi’s project, Heirloom at the Villa Aurora (last week’s Pick of...
Sometime during one of those unremarkable post-Christmas pre-New Year’s days I was scrolling Instagram endlessly. In between sponsored health food ads, I came across an installation image of one Adam Higgins’ hyperreal salad paintings at Chris Sharp Gallery. My...
As I wrote to preface ARTILLERY’s 2021 “Top Ten” compilation, there could have easily been a parallel list of 10 or more shows and exhibitions approaching the level of the ten I selected. At one time, the magazine designated a few “honorable mentions,” usually, as I...
Ishi Glinsky’s exhibition explores monuments of survival that honor the sacred practices of his tribe, the Tohono O’odham Nation, native to the Sonoran Desert in Arizona. Upon entering Chris Sharp Gallery I am instantly subsumed by Glinsky’s monolithically scaled...
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