Tom Knechtel, a Los Angeles–based artist who shows with PPOW in New York and Marc Selwyn Fine Art here in LA—where his exhibition, “The Hare in the Studio,” just ended in June—is known for his intricate paintings and drawings, often depicting himself, animals and...
Three Major Shows: Starring Black Women Artists Right now in Los Angeles, we have the gift of important shows of three major contemporary Black women artists. Try to see them all, as this fortuitous alignment of stars may not happen again, at least not anytime soon....
Chas Smith, who died on May 13th, was a complicated, gorgeous assemblage of contradictions, the sort of bundle that is usually described as “larger than life.” But that phrase misses the nuances that made Chas a sought-after collaborator with artists and composers,...
Dear Babs, I’m a young artist with an MFA from a decent Midwestern university, and I want to become more aware and part of the international artistic milieu. From social media, it seems like most of the influential people in the art world spend a ton of time...
Receipt Bus stops are one full breath apart Is why men drink in them. Their poor slow hearts, Their poor slow blood. Leant on elbows on knees they Hawk up galaxies. The car becomes a well when you Cry there. 24h carpark. —Without my Marrow and the wind blows I’m a...
Transformation in its most expansive and contradictory sense was at work throughout Claire Chambless’ exhibition, “Role Play.” Both individually and taken as a choreographed ensemble, the work—while clearly influenced by such abstract surrealists as Miró and...
A big pharma scion funded the Tolkien exhibition at Rome’s National Gallery of Modern Art to normalize drug dependency by suggesting its correlation to Bilbo Baggins’ obsession with the One Ring. Or, hear me out, Whiskey Pete’s casino operates a mind-control project...
The sprinklers of Pace Gallery’s immaculate lawn activated as I entered its courtyard for “Alicja Kwade & Agnes Martin: Space Between the Lines.” One of them was installed only a few inches from Kwade’s Jo’s Snow (Group 2) (2023), a forlorn patch of cast white...
Images of violence are so prevalent in today’s media landscape that news commentators now prompt us to look away, while social-media clips of police misconduct or war-ravaged bodies are shared and reposted, implying that we might take voyeuristic pleasure in viewing...
On a murky day in May, the art cognoscenti made their way to a preview of gallerist David Zwirner’s newest addition to his burgeoning enclave in Los Angeles. Among the city’s unremitting attempts at reinvention, Melrose Hill—a longstanding, dense and vibrant...
Melancholy rendered in pools of soft, golden sunlight. Love and loss braided into fields of wildflowers. In the press release for “Passage,” Coco Young’s first solo show at Night Gallery, curator Martha Kirszenbaum compares the exhibition to Agnès Varda’s lush New...
The nonagenarian artist Alejandro Jodorowsky is best known as a filmmaker, while his wife, the 40-something Pascale Montandon-Jodorowsky, works as a painter, photographer and designer. Together, they operate under the name pascALEjandro, fusing their names as well as...
Simone Leigh’s presence at the 2022 Venice Biennale was monumental: Her sculptural contributions to the main exhibition garnered a Golden Lion, while her solo show for the US national pavilion generated headlines around the world and lines around the block. In the...
A life lived in the midst of harrowing times of chain gangs, sharecropping and Jim Crow laws in the Deep South is the bullseye of Winfred Rembert’s exhibition, “Hard Times.” In hand-carved and debossed painted leather, the late Rembert creates striking patterns from...
Centering his ten charcoal drawings around the silhouette of the cowboy hat, David Shull meditates on the object’s form as well as significance and associations in our culture, such as the masculine traits of the Western hero, in his show titled “FLHAT EARTH FALLING...
One of the most durable traditions in Modernism, organic form sculpture emerged in the first part of the 20th century in the work of Constantine Brancusi, Jean Arp, Alberto Giacometti and others. Particularly associated with Surrealism, the organic form was a kind of...
“Free Fall,” Rochelle Botello’s solo exhibition at the Bakersfield Museum of Art, affords an incredibly rich and evocative visual experience. Botello’s organic and sometimes strangely discomfiting sculptures suggest an amalgam of associations; looking at these works,...
Subscribe to our weekly Gallery Rounds Newsletter for new Reviews, Art opps, Art Events, & More every week!