“Free Fall,” Rochelle Botello’s solo exhibition at the Bakersfield Museum of Art, affords an incredibly rich and evocative visual experience. Botello’s organic and sometimes strangely discomfiting sculptures suggest an amalgam of associations; looking at these works,...
When I stepped into Jim Isermann’s spectacular show “Wrapture” presented by the Miles McEnery Gallery and the Pacific Design Center, my first thought was, “It’s 1967 again,” — and I don’t mean in a self-conscious, retro-chic way. Isermann’s super-saturated bright...
Before you, Teddy, there were no clever names for the president’s house, folks calling it The President’s Palace and the Executive Mansion—neither of which has any real descriptive character. Then you came along, the Trustbuster, the sickly boy who made good on his...
“Before You Now” features work by 56 artists who employ photography, prints, drawings, installations and video to depict themselves, their identities and, especially, their artistic perspectives. Rather than creating traditional self-portraits, these symbolic,...
With unruffled confidence, Paige Jiyoung Moon’s, “Gen 3” reveals small-scale acrylic paintings depicting informal rituals from her daily life with a profusion of care. Most of the time memories get packed away, but in this case, Moon’s style of painting makes the...
Karla Diaz has been drawing since she was a child. The title of her current exhibition, “Wait 'til Your Mother Gets Home,” is something her aunt would say to her when she would draw on the walls of the family home. Consisting of 37 paintings and works on paper that,...
What is a colorist painter? In the 19th century, the painter and critic Eugène Fromentin assessed that the work of colorist artists engage hues that are “rare, tender, or powerful, but resolutely [achieved by] a man skillful in feeling distinctions, or in rendering...
Intertwining tradition, identity and memory, Jordan Nassar’s exhibition, “Surge,” turns large-scale Levantine embroidery and mosaics into sites of tactile continuity, connection and solace. These works serve as a means through which to understand his transnational...
Suzan Woodruff’s new body of ethereal, abstract paintings and undulating wall sculptures came at a price—one as much physical as psychological. Diagnosed with virulent cancer amid a national pandemic, she endured multiple surgeries and radiological treatments, which...
At Night Gallery’s newly debuted kunsthalle-inspired space, Sidecar, "What Will You Give?" features numerous large-scale paintings by up-and-coming artists Tidawhitney Lek and Veronica Fernandez. Lek and Fernandez present pieces of work that showcase both the...
With rich, saturated hues on both black and cream backgrounds, Chyrum Lambert’s collages on wooden panels are mysterious yet familiar, reminiscent of botanical illustrations or a rock collection display. Titled “An Alphabet of Looking,” the show provides a chance to...
“Groove,” an exhibition of approximately 100 intaglio prints currently on view at the Hammer Museum, has something for everyone, and a bit of everything (save for works in other media), but it will appeal most to those with an unrestricted appetite for aesthetic...
There’s no trick of the moonlight at Rhea Dillon’s show, “Gestural Poetics.” Inside and out, each work happens twice. Dillon’s drawings, nestled in sapele mahogany boxes within the white cube gallery, enact two histories at once. While the moniker "sapele" hails from...
The story is legendary, and one would think where money is concerned, or even mentioned at all, one would find a swath of olive-green bills stacked high on the president’s desk, but The Buck Stops Here sign was in fact not green at all, but mahogany! This is a...
In the arresting painting On Your Side (2024), a person and their cat canoodle in twinned profiles that make it seem like they share an eye—and that’s not even the strangest thing about it. The main figure, shirtless and with glowing minty-pistachio skin, has glossy,...
Dear Reader, In the early Artillery days, I assigned a writer to critique the films and videos that were showing in the sprawling 2007 MOCA exhibition, “WACK!: Art and the Feminist Revolution.” There were more than 20 films and videos included, mostly viewed on the...
I don’t know about you, but I’m still recovering from Frieze LA (Feb. 29–March 3), and the art week that was. In addition to the main event, there were many gallery openings and events, and also the Felix and Spring/ Break art fairs. At Frieze there were fewer...
Technology cannot be separated from the world we live in today. Indeed, post-pandemic, we are experiencing even more of our daily lives virtually. This phenomenon lies at the core of French multidisciplinary artist Ethel Lilienfeld’s work. Using video, installation...
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