Every time I say I don’t like Impressionism people lose their minds—and I get it, people love the stuff, can’t get enough. I admit that I sometimes say it just to freak them out, because you should see the looks. I mean, you’re probably looking at me like that right...
“Well, there were many creatures in the cave. And some of them had their problems, but all of them, they were my friends....You don’t meet friends like this every day, so I’m staying in the cave.” —Wounded Lion, “Creatures in the Cave” I first met Brad Eberhard...
As an urban kid growing up on Manhattan’s Upper West Side, I adored the American Museum of Natural History. The low-lit museum seemed like a palace of wonders to me. In its inner chambers the glowing dioramas of exotic animals in their native habitats appeared like...
Linda Vallejo’s career-spanning exhibition at parrasch heijen is a homecoming of sorts. The gallery is ensconced in the center of Los Angeles’ Boyle Heights district, where she was born, and a stone’s throw from the iconic Sears Building — an area where Vallejo spent...
While many of the contemporary art world’s basic assumptions have been challenged in recent years, one that has remained remarkably constant since at least the 1960s is the collective verdict on appropriation: It’s fine! Andy did it, so it must be—and too many...
One of the most reported trends in the migration from LA to more affordable places involves people who work in Hollywood. While a certain number of these stories focus on moving to places that give tax breaks to film productions, the human-interest beat focuses its...
Fall is finally here, after a heat-addled summer in SoCal. I hope we don’t have any more of those 100-degree temps, because some of us don’t have central air, and it was brutal throughout August and September. On those hottest days I told myself, autumn is coming....
Fame There are some people who can barely be tolerated in person but are beloved as fictional characters. One reads about them in a book or watches them on a screen, and one feels special because one recognizes their beauty. But when one meets them in person, one...
Dear Babs: I’m an artist who uses industrial materials like spray paint, epoxy and fiberglass in my oil paintings. I use a respirator and my studio has decent ventilation, but I know it’s not the best. Recently, my doctor raised concerns about potential long-term...
In two exhibitions spanning galleries some twenty-minutes apart depending on traffic, Larry Johnson presents his own work alongside that of two other gay artists of a certain age and a certain generation, who lived through the AIDS epidemic of the 1980s and early...
In her still-young career, Aria Dean has shown a remarkable knack for giving the institution exactly what it wants: shrewd work that stings the nerve of the moment without quite stabbing it. In activating the virtual as a conduit for Black radical thought, Dean’s...
This show at Wonzimer Gallery, organized by contributing artist Marcie Begleiter, is inspired by the Voynich Manuscript, a work that constitutes a parallel exhibition to the show she curated. The Voynich is a mysterious codex from around the year 1410 by an unknown...
In the early years of cinema, actors were treated as crew members working the conveyor belt of industrialized studio systems. But by the silent-film era of the 1910s, the star system had begun to take hold, with close-ups articulating a visual language of desire...
![The Harrison Studio [Newton and Helen Mayer Harrison] Survival Piece #1: Air, Earth Water, Interface or Annual Hog Pasture Mix (1970-71) at Various Small Fires](https://artillerymag.com/wp-content/uploads/2024/11/HAR007_Survival-Piece-2_1971_24x36_Install-View-01.jpg)
Organized in concert with the Getty’s PST ART initiative, this re-mounting of Survival Piece #1: Air, Earth, Water Interface or Annual Hog Pasture Mix (1970–71) — in keeping with the entirety of the Harrison collective’s output — is less about a “collision” (per PST’s...
At dusk on September fifteenth, nearly 5,000 spectators gathered on the field of the Los Angeles Coliseum to view WE ARE: EXPLOSION EVENT FOR PST ART, a monumental daytime fireworks display by Cai Guo-Qiang* and his custom artificial intelligence model cAI™....
I’ll admit that before attending a press walkthrough for Nate Lowman’s “Parking” at David Zwirner a few weeks ago, I wasn’t familiar with Lowman’s oeuvre. The paintings first appeared to me thumbnail-size, attached to my iPhone invitation. I noted glowing, riparian...
Recently I had the opportunity to visit Detroit for the first time in my life. What a magnificently diverse city bustling with bars and restaurants on every corner in the downtown area, with one of the top encyclopedic art museums in the nation where the socialist...
To experience lack is to be reminded of the boundaries of the self, of others. Lacking realizes the unassailable distance between you and everything you don’t and won’t ever have. Therein to lack enlivens desire, or does desire require a lack of something? Kang’s...
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