The Independent

The works are stunning, rising like great pillars in a one kilometre corridor between the crumbling cliffs that make Zekreet a regular destination for residents and tourists. Although obviously modern, built in smooth steel already beginning to acquire the russet patina of rust that is the trademark of Serra’s latter works, as opposed to his early sculptures in lead, they seem timeless: as though they have already stood there for centuries and will stand there for centuries to come, watching civilisations rise and fall. 
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