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Michael Benevento's website is devoid of a bio for Anthony Burdin, a reclusive artist whose work is as intriguing and enigmatic as his mysterious persona. Untitled, Burdin's show encompasses works from 1992-2018 in a wide array of media. Each of Benevento's four...
Poyen Wang and Kio Griffith’s captivating exhibition “Atlas Portal” deftly explores cultural identity, the immigrant experience, and alienation through the lens of personal memory. Wang is a digital media artist from Taiwan, and based in New York City since 2015....
Up an elegant staircase in the Los Feliz mansion that is Parker Gallery, Alexandra Noel's paintings delineate rural scenes appearing very different than the verdant residential realm visible outside diamond-paned windows in the small chamber they currently occupy....
Adrian Piper’s retrospective was the largest solo show dedicated to a living American artist MoMA has ever produced, and though its Hammer iteration is a tad smaller, it’s no less of a triumph. A mixture of reams of text, performance, posters, newspaper ads, photos,...
Dynamics of style, technique, technology and authorship are at issue in an exhibition of new landscapes, portraits, still lifes, and abstractions by the painter KATSU. That’s not only due to the liberal citations of the Western art canon which feed his...
A stunning expansion upon themes she explored in her last Los Angeles show, Vikky Alexander’s “Vertical Dreams” features four floor-to-ceiling photomurals turning the entire gallery into an immersive meta-collage that asks us to consider how we sanitize, prettify and...
It takes guts to imagine former president Harry S. Truman as a strange and profligate hero, a man who played a significant role in authoring our now debased socio/political framework, a uniquely polarizing figure who is now the unlikeliest muse in the most recent...
The art collective En Plein Error, comprised of artists Jenny Gagalka, Beaux Mendes and William Wasserman, practices a kind of extemporaneous riffing to create their pastel on paper works, in a process that might be loosely compared to a session of exquisite corpse,...
The current drawings of Christopher Murphy are for the most part unassuming and quiet. Only occasionally do they mesmerize through dramaturgy. Some appeal through inversions, others through thinly populated landscapes, which recall the recurrent theme in American...
Don’t hate the metaphor, hate the estrangement of Forms, one might say—or at least that’s the phrase that came to me in light of ceramicist/conceptual artist Alex Miller’s debut exhibition. Mounted on one wall, a 36-piece edition of handmade ceramic “dart boards” are...