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Floral, terrene, celestial and human elements coalesce to form otherworldly realms in Kristy Luck's paintings suffused with mysterious symbolism. Evoking subconscious vistas, the Los Angeles artist's scenes are reminiscent of abstract landscapes by Modernist painters...
Diane Rosenstein Gallery’s exhibition, King Dogs Never Grow Old, curated by Brooke Wise, invites us into a display of the uncanny, rocking traditional senses of stability and instead, celebrates the nonsensical. The show’s title, borrowed from the surrealist text, Les...
What is a blacksmith? Although the meaning is one who works in heavy metals that are heated in contrast to whitesmiths who beat gold or tin, experiencing the LA Blacksmith group exhibition at the California African American Museum (CAAM), guest curated by independent...
At the Getty, two exhibitions of works on paper examine process and technique while presenting disparate views of peasantry. The Getty Research Institute's "Käthe Kollwitz: Prints, Process, Politics" comprises over 50 prints, preparatory drawings and studies by...
Enchanting objects spill from tiny containers in "The Box Project," an unconventional show of 76 artists from three countries. These artworks were not originally intended for public display; rather, they were created as part of an esoteric correspondence between three...
Distributed across the otherwise empty gallery spaces (there is nothing on the walls) are carefully placed, custom-designed wooden tables. Atop each table is a specific arrangement of artist's books by the painter Laura Owens. The presentation is inviting as the books...
The paintings in John Currin’s show at Dallas Contemporary, a non-collecting warehouse museum, widely induced a queasy, unsettling tension. A common response to the artist’s work, the visceral repulsion and simultaneous attraction result from an unresolvable friction...
Two weeks after the exhibition “Thomas Joshua Cooper: The World’s Edge” opened last fall at the Los Angeles County Museum of Art, The New Yorker magazine published a piece by Dana Goodyear titled “The Ends of the Earth: Thomas Joshua Cooper risks his life to...
“Elegy,” the title of Cynthia Daignault’s show, referenced Robert Motherwell’s 1948-1967 “Elegies to the Spanish Republic.” In contrast to his abstractions mourning the results of the Spanish Civil War, her representational portrayals lament the passage of time, with...
Upon entering the gallery it is hard not to do a double-take. Seated, hunched over on the railing that parallels the entrance is a life-sized figure, the artist’s doppelganger. This crocheted replica dressed in his signature clothing— a blue t-shirt, black Levi’s...