A quivering grid of afternoon sunlight shifts across the polished hardwood floor of a long narrow room. But for the drowsy hum of the air conditioner, all is silence and stillness, an ambience ideally conducive to the reception and refinement of clear thought. Immersed in scholarly retreat, an owlish old man with a malodorous rucksack occupies an armchair. Students stretch out on sofas; others...
Nights CAN BE long in Moscow. But come spring, as the light fades ever more slowly, the evenings get off to a late start. Which may be why I inadvertently kept a driver waiting on the evening of April 3rd to ferry me and another journalist to the sprawling Artplay Design Center in the Kurskaya district of Moscow for the Seventh Annual Innovation Prize award ceremonies. In lieu of the press...
More than 30 venues—166 international artists within a few square miles—a forum for ideas rather than conspicuous consumption: it’s Documenta 13! Held every five years in Kassel, Germany, and founded in 1955 by Arnold Bode, an art professor and designer from Kassel, this is the world’s most important and enduring contemporary art show. Depending on the curatorial vision of the exhibition...
I’ve been warned that Llyn Foulkes is preparing furiously for “Documenta 13” and as I get in touch to arrange a meeting, I’m wary, in part, due to his reputation for fractious soliloquies regarding fellow artists, critics, art magazines, and in general, the art world cliques that hold him at arm’s length. By his own account, Foulkes has been an outsider, a talented iconoclast shunned by the...
EXTRA! EXTRA! READ ALL ABOUT IT! ART STAR STOPS MAKING ART! That was going to be my headline after hearing the remark Mike Kelley made at the close of our interview. I was wrapping up our conversation, all ready to ask the final question, like Barbara Walters: "What's next, Mike?" But before I could, Kelley preempted me: "I've been working nonstop for years and years, and now I'm not in the mood...
The mid-afternoon New York City traffic is uncharacteristically brisk on my way to interview performance artist Kalup Linzy. I arrive in Crown Heights, Brooklyn, half an hour early, with my photographer. Linzy greets us at his unmarked live-in work-space basement studio wearing a shiny dark gray satin shirt, white boxer shorts with orange and brown hibiscus flowers and a pair of rubber...
It is difficult to imagine John Currin’s work adorning walls more modest than those of the uptown Gagosian Gallery in Manhattan. Currin’s subjects have become progressively more well-heeled as his career has advanced. His signature subjects of yore—the ludicrously big-titted women and the frail women in bed and the nymphettes clinging adoringly to wilting bearded aesthetes—are a thing of the...
I was urged electronically to go see Dutch theater company Wunderbaum on its last night in LA at the REDCAT with no details other than superlatives (which, however, managed to get a bunch of us on that contact list out). I knew it had something to do with LA artist Paul McCarthy’s work, and the troupe was pegged as “raw” and “political.” They had been developing the work as artists in residence...
Though the annual festival known as Burning Man has received the occasional serious sniff from the art world, my overall anecdotal accounting of the festival rep in what one might call the high-end international art world has been one of mild disgust and pity. In general, art worlders like nothing better than to sneer at the post-hippie amateurs, as urbane Parisian aristocrats might sneer at...
"What's with the God look?” I had thought to ask him at one point over the course of a rambling interview conducted in the lead-up to LACMA’s opening of his retrospective—provocatively, ironically titled, “Pure Beauty.” A slightly exaggerated (to say nothing of irreverent) take on a persona which is, after all, pretty familiar to most people who frequent Los Angeles art galleries, and indeed...
Ben Sander’s latest body of work, "Poppies," centers on the opium poppy flower. The show is separated into two rooms, the main gallery floor featuring acrylic and airbrush paintings on wood panels and the lower loft room exhibiting the artist’s colored pencil and ink...
Nothing is just one thing. This is a sentiment that many of us here in the United States, particularly those of us with privilege, are coming to terms with in an entirely new way. From recognizing that many workers who previously went unseen are in fact essential, to...
A point of reference for Renée Petropoulos' compelling and thought-provoking exhibition "Like a Street full of Friends: Studies for Speculative Monuments" at as-is.la is her 2014 public artwork installed in downtown Santa Monica: Bouquet (Between Egypt, India, Iraq,...
The works that make up Glen Wilson's exhibition "Slim Margins" are striking and unique. Wilson has an uncanny sense of materials and a keen ability to juxtapose incongruous elements to create the unexpected. Wilson sites the influence of documentary photographers like...
In 1839, the very first portrait photograph was captured of (and by) Robert Cornelius. It must have been a difficult – albeit likely humorous – process, as Cornelius set up his camera before hurriedly running to sit motionless in front of it, arms crossed and hair...
In Between the World and Me (2015), Ta-Nehisi Coates writes, “The entire narrative of this country argues against the truth of who you are.” This two-edged sword of truth was unapologetically visible in the "Kangs" exhibition at Band of Vices, which includes four...
Sculpture is a medium of art with infinite possibilities. Unbounded by canvas or wall, a sculpture is only defined by the space itself. Yet despite the limitless potential definitions, there is only ever one realized in the moment that the iron is cast, the glass...
It’s hard to pin down joyfulness. It’s a transient emotion that is readily batted away by the complexities and pains of everyday life. One can almost forget what it feels like. Luckily, one of the crucial functions of art is to remind us all that joy does exist. This...
"Figuratively Speaking" is a 25-year retrospective on the female figure as studied by the artist, Haleh Mashian. Haleh is an Iranian-born artist, who opened Mash Gallery in 2018. Since the works are presented undated, it is unclear exactly what Mashian’s “early work”...
Lou Andreas-Salomé, the psychoanalyst, writer and infamous lover, defined eroticism as “what ruptures the ego.” To enter into an erotic encounter is to break apart our neatly constructed selves, to invite destruction; it is also a chance for a volcanic eruption of...